Skip to content

Posts tagged ‘boats’

Hazy, Hot and Humid Art

July comparison 2013

Who would have thought a stroll after a nice dinner at the Lobster Pot would have captivated my artistic eye for so long. A quick snapshot taken one hot afternoon in Provincetown, MA has been the catalyst of many of my recent artworks. As with many other photos I have taken, as soon as one painting is completed I have another idea to improve/change/renovate the next one. On this one, with the advice of Mary Harding curator of the George Marshall Store Gallery in York, Maine, to “paint bigger” here is the results. Raking Light Across at 36×36 gave me the space and opportunity to really dig in and work on the layering of color and texture. It was a blast. More to come.

Schooner Backlit

Schooner Backlit sm2
Schooner Backlit is an 8×10 study based on sketches I completed while on a whale watch boat in Provincetown Harbor, Cape Cod, MA. The whale boat was positioned so several artists could get a close up look at a schooner race from Gloucester, MA to Provincetown in September 2014. I loved seeing the beautiful curves of the sails, and subtle and various whites as they they glided by. Lucky for us the wind was light so we had a good amount of time to stare and record what interested us. Not sure I will go larger with this one but I enjoyed using more subtle colors than I might usually select.

This post is day 29, part of the 30 paintings/30 days challenge presented by Leslie Saeta on her blog,http://www.lesliesaeta.blogspot.com I didn’t post all 30 but I have done many new small works as a result of this challenge.

About That Red

14327 Time to Move On 36x18, acryl canv sm

It is never a simple thing, painting. It is always a matter of selection–from color and medium, size and proportion, orientation and surface, brushes or knives, scruffy or smooth, thick or thin, garrish or quiet, thoughtful or bold, clean or complicated. This image of a small red dory is seemingly simple but has so many paint overs it weighs more than you think! It was a challenge to make a surface complex enough to be interesting yet simple enough to have the little dory (that sits in Provincetown, MA harbor) still be the star of the show. The actual red-orange color is a good amount brighter in real life but I think you get the idea here. A huge amount of blues balance the hot spot of red at the lower part of this painting. And that’s all this one was really about. But you are always welcome to have your own idea of what you see and feel in a painting. 18×36, acrylic on canvas. This is part of the 30 paintings/30 days challenge presented by Leslie Saeta on her blog,http://www.lesliesaeta.blogspot.com

Waiting for Tomorrow

Working on a motif I had begun while at my artist residency in Provincetown, MA this past summer. The working waterfront area there is rich with image possibilities and this is a bit of an abstracted view of the piers. It may well become a larger painting with emphasis on the verticals of the piers in contrast to the boats. “Waiting for Tomorrow” was done on paper with ArtGraf carbon and colored pencils. Completed as part of the 30 paintings in 30 days project of the blog http://www.lesliesaeta.blogspot.com/

Waiting for Tomorrow sm

Copley Society Artist Residency at Fine Arts Work Center in Provincetown, MA

Using golden Open acrylics--longer time to dry that traditional acrylics. Work quite well.

Plein air painting as the tide gets closer to my feet.

As I catch up with my necessary duties as an artist (marketing, organizing, packing, shipping, emailing, inventorying, etc.), I am itching to get back in the studio to explore and play with the exciting new approaches to my art I discovered during my month-long residency at FAWC in Provincetown on Cape Cod. From toying with more abstract thinking to working without references, from meeting new faces to meeting famous faces–Paul Resika, Berta Walker, Constantine Manos–I have so much to internalize about my experience. Good thing the winter hibernation season is coming soon. Not that I hibernate of course. But those nice quiet snowfalls will be perfect backdrop as I dig deep into my thoughts.

Details Inspire Large Work

High key colors in body ofwater with small sailboat imagery

Playing with heavy textures in my customary coastal theme.

Last summer I did a painting titled, Raking Light, a 36×36 that described a late afternoon low tide at a sandy beach in Provincetown. One small area of the painting approx. 5×5  inspired this enlargement at 24×24. I loved how the coarseness of the under-texture allowed the acrylic paint to sit up on top of the raised areas. And adding other color layers allowed those underneath to still peek through. Having fun creating new works this endless winter using this idea. No title as of yet. Ideas?

Detail that inspired new work

Detail that inspired new work

Story Island begins in Maine

Preliminary sketch on canvas of segmented/chapters of 36x36 painting.

Preliminary sketch on canvas of segments/chapters

Determining color scheme along the way, not pre-thought.

Determining color scheme along the way, not pre-thought.

Final look at the painting process 36x36, acrylic on canvas.

Final look at the painting process 36×36, acrylic on canvas.

In this painting there are 8 segments, each could be a small painting on its own but I have opted to build all these into one large 36×36 to see if I could unify all pieces together on one panel. I have done small paintings of the segments in the past using other color schemes and slightly different designs. But putting them all together in a block-like fashion and hoping to retain a sense of order–not in a chronological or book style– but in a way that allows the viewer to make up their own idea of what this piece is saying to them. See more of my art at www.anntrainordomingue.com or sign up to stay informed on my FB Art Page at www.Facebook/anntrainordomingueart  Ann Trainor Domingue, messy, uncommon, friendly contemporary art inspired by but not beholden to the New England landscape.

Dockside Colors in Action

detail of 30x24 painting

detail of 30×24 painting

Scenes like this in coastal Maine–full of shapes and color, lines and forms, complex details and light–are scenes that I enjoy sorting out and abstracting elements to work with. I don’t know the exact outcome when I begin just that there are enough things that interest my imagination and then I begin the process of building a painting. See website for recent works http://www.anntrainordomingue.com

 

Ann Trainor Domingue art

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

The Heartbeat of Haverhill

Good News from A Great City Haverhill, MA

Brain4Rent's Blog

Scanning the world through a marketer's eyes and sometimes just regular old human eyes.

Art Biz Success

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

RedDotBlog

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

Mary Byrom

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

TODD BONITA'S ART BLOG

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

Ann Trainor Domingue Art Blog

Insights about my messy, uncommon, friendly contemporary art

The Art Law Blog

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

Urban Sketchers

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape