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Posts from the ‘acrylic’ Category

Another Good Day

‘Another Good Day’, acrylic on canvas, 40″ x 60″, available now at Portland Art Gallery, Maine

A new studio has inspired me to create in a new way, a bit different from my recent work. My new space is much larger, with great lighting and plenty of space to breathe. Although I miss my small quaint studio space I have had since 2013, it will always be where I allowed myself to begin to make the art I’ve wanted to make. And now I’ll continue on that journey with more elbow room and excitement. NEW: I have an exhibition of new works coming up in April 2024! Opening reception is on Thursday, April 4th, 5-7pm. Please stop by and say hello, I’d love to meet you and speak with you about what you love about my work. Thank you, Ann

Lesson learned: Big light-filled dreams are possible.

Artmaking Anew

I’ve recently been shifting my artmaking to incorporate a way of making my art in a less planned way. This includes allowing a painting to unfold as I add color, line, solids and texture. Which is contrary to how I have frequently begun my work where I draw at least a thumbnail sketch of a design and then work with color and other marks. There was a bit of freedom in starting this way, as well as feeling unsure with not knowing where it was heading. This felt more like a freefall than freedom. In the end I did like how it evolved and will continue to explore this approach in the future.

#anntrainordomingue New Hampshire artist; messy, uncommon, friendly, contemporary art

Lesson learned: Try new things even if it feels wrong.

The Art of Conversation

All Our Tomorrows, acrylic and paper on wood panel, 36×36. Available at Portland Art Gallery, Portland Maine.

‘All Our Tomorrows’ evolved during the late spring early summer 2021 as I was preparing for an upcoming feature show at Portland Art Gallery. I experimented with developing a painting in a different way by cutting tissue paper shapes of some main design elements in a collage-style approach and then layering fast drying acrylic to build color and depth. This work is a continuation of my recent coastal-inspired relationship series.

Now after the confusing and difficult year of 2020, problems have been brought forward into 2021 with even more divisive issues. We all hoped things would settle down for a while. But not so fast.

This painting evolved into this image that amid the chaos of life some sense of connection, love and caring can still be found. Two people. A simple hand held. A most powerful relationship when each finds what is most important in one other. Good things begin this way.

This is an image of hope for the future that people will value each other’s differing opinions instead of forcing the other to submit to an ideology that is not in line with their own understandings, sensibilities and life experiences. What ever happened to having an opinion about a topic and having a conversation with another human being? Wasn’t this how we resolved differences or let ‘bygones be bygones’? Or simply allow another person to maintain their point of view while still being friends? Is this really a lost art? I hope not.

Lesson learned: Kindness matters.

Fish Moon Light Days Reflections

Fish Moon Days, 24×48 on canvas, 2021. Available at Portland Art Gallery, Portland, Maine

The moon has a pull that I don’t understand in its entirety, but I still find it a fascinating detail to place in my work. Even adding another where it doesn’t make sense. Am I to use my creativity to reiterate and repeat reality? Or is it to reinvent/rework/recreate/renew a common image by imbuing it with fresh ways of looking, bringing another point of view for others to ponder? As in life, encouraging new ideas and new ways of looking at things can make all the difference. Hopefully shedding light and new joy.

Lesson learned: Keep making images that bring joy and hope.

Different Yet Similar

Bridging the Gap, 12×12 acrylic and graphite on panel

Are you sensing something similar to what I’ve presented in this artwork? A very large gap between differences and similarities? A space between two people that seems permanent? An inability to reach across time and space to reconnect with someone who was special to us? A sense that the space is getting wider? An idea that life as we knew it is not likely to return in a familiar way? During this pandemic I believe we’ve all been forced to adjust and accept certain changes. And I believe we’ve also tried to retain and keep close to our hearts people, things, and experiences that we are not willing to let go of–ever. They hold too much meaning and are part of our souls. To let go would mean failure and giving up on something that matters most.

This painting is my thought of what it may look like to build a simple bridge. Even though it may seem too delicate or hard to see, its a start. A way to reconnect with another soul who’d like to be touched by an honest peaceful gesture of friendship. Especially when differences are known to both individuals. We should reach out to one another because we believe in individuals being just that. Individually absorbing life and times, choosing a point of view and forming opinions. I hope despite core differences, we can each find our core similarities. And use these to make our way back to civility and respect of all people.

Lesson learned: If a friendship is formed on foundation of respect, holding different viewpoints should not matter.

Calendar by Ann Trainor Domingue!

This is my first calendar and I am excited to let you see it just before it is ready for sale! I am distributing it through one venue only– Kennedy Gallery and Custom Framing located at 41 Market Street in Portsmouth, NH. Please call to reserve yours at 603-436-7007 or send email to art@kennedygalleryandframing.com

The calendar is quite different from standard art calendars in that I have included a story and inspiration behind each artwork to let you in on the behind the scenes work and thought process of each of 12 frameable images. Several images are also available as blank notecards and prints also only available at Kennedy Gallery. Just ask, they will be happy to help. See sample page below.

Thank you for your interest in the calendar. the image above shows the 12 different artworks included in the 2021 calender. This will make a great gift for someone who loves art and the thinking behind an art work.

Lesson learned: Take a risk and the rest will work itself out in due time.

New Hampshire ‘Color Love’

opening postcard web 5x5 GWren

Two artist friends and I are showing our work together this September!
‘Color Love’– 3 artists 3 visions is a 3-person show of our colorful artworks– intensely-colored abstract watercolor collages by Ethel Hills, bold impressive wildlife-inspired paintings by Rosemary Conroy, and my Ann Trainor Domingue New England life inspired paintings and watercolors. It promises to be a wonderful exhibit of three very different takes on ‘Color Love’ –where we each  internalize how color influences our work–and then create an inspiring variety of images for you to see and feel, and then possibly find an artwork so special you must take it home!

Please join us at the opening reception on Friday, September 7th, 5-7 at the Gallery at WREN in Bethlehem, New Hampshire.

 

Art Opening ‘Shining Through’ by Ann Trainor Domingue, York, Maine

opening postcard web 5x5 GMSG

I am very happy to invite you to join me at the opening night of ‘Shining Through’ by Ann Trainor Domingue— my new series of work inspired by my longstanding curiosity and attraction of waterfront life and how I connect visually and spiritually with this beautiful space at the edge of the land and sea.

The opening reception will be held at the beautiful George Marshall Store Gallery located at 10 Lindsay Road, York, Maine on Saturday, July 14th, 5-7, exhibition runs through August 19th.

The gallery building is part of Old York Historical Society that works to preserve and promote the rich history of York. The Gallery is located on the York River with a working dock and shack right behind the gallery on the wharf– a beautiful location in any season.

I hope you will join me as I exhibit many of my newest works all tied to my fascination with waterfront spirit. Please share my invite with those you know who love the all things coastal. Thank you and hope you’ll stop by to say hello–it means a lot to me to have your support.

 

Thanksgiving For So Much

17736 We're Home acryl pan 8x8 sm

We’re Home, acrylic on panel, 8×8. Available at Copley Society of Art, Boston

I’m thankful for so much in my life that a little post will never convey the appreciation, gratitude, and love I have for all those who I call family. You know who you are :). All of you who believed in me and my work when I was still unsure about it; all of you who are related one way or another; all those who feel related to me in soul and spirit; and all those who feel my artwork has provided a thread of connection from my life to theirs. I hope you each have a wonderful time with family–disconnecting from digital unreality–to connecting with those who matter with a hug, handshake or kiss. Happy Thanksgiving.

Lesson learned: Thank those who matter.   

The Big Day

17675 The Big Day acryl canv 18x18 sm

The Big Day, acrylic on canvas, 18×18. 

This recent painting was inspired partially by the wedding of my granddaughter combined with a sense of how I feel about marrying my husband more than 20 years ago. Just a sweet feeling of the joy of the day and being able to share it with someone I truly love. I’m not one to let my emotions out easily but in this case it has turned into a bit of a series of works that lets me bring some of these memorable moments to life.

My ongoing series of fishermen and women and their families have been a way for me to present sentiments such as togetherness, love, support, family, constancy, persistence, fun, optimism and faith. It is an authentic-to-me way of adding figurative/people into my work which I have been searching for for years.

I allow real life situations to provide a moment–it just nudges me with a notion of ‘hey, that might make a good way to imagine a relationship’ and away I go. Pick up a sketchbook and draft some designs, then on to a quick watercolor sketch of a composition.

IMG_0785

Sample rough sketch of idea

Once I decide on a design I move quickly to develop a painting and usually paint it in one sitting–or standing. I like the process of committing to an idea and working it through in a day or so. Then I might rework areas after a good night’s sleep. If I feel something is not quite right I wait a few days, stare at it from my old stuffed rocking chair in the studio. I’ll make the adjustments and then it is done. And I move on to another idea.

Here are two other paintings in the series of relationship paintings:

The big day continues to be the best day of my life. I hope you’ve experienced one that stays with you forever, too.

Read about the details on these pieces on my website at www.anntrainordomingue.com

Lesson learned: It’s never too late to have a Big Day. In life, in art. 


NOTE: OPEN STUDIO 2017, NOVEMBER 4 & 5, 10-4. Details/directions on website.

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