Two artist friends and I are showing our work together this September!
‘Color Love’– 3 artists 3 visions is a 3-person show of our colorful artworks– intensely-colored abstract watercolor collages by Ethel Hills, bold impressive wildlife-inspired paintings by Rosemary Conroy, and my Ann Trainor Domingue New England life inspired paintings and watercolors. It promises to be a wonderful exhibit of three very different takes on ‘Color Love’ –where we each internalize how color influences our work–and then create an inspiring variety of images for you to see and feel, and then possibly find an artwork so special you must take it home!
Please join us at the opening reception on Friday, September 7th, 5-7 at the Gallery at WREN in Bethlehem, New Hampshire.
Muse of the Sea, 11×15, watercolor on paper
Every once in a while I work on an idea for no particular reason, with no particular outcome in mind. I had done some sketches and small watercolors using a mermaid as the main feature. I continued working to find a look for the mermaid ‘muse’ that for me was more real–but not realistic. Imperfections and all.
The way watercolor works provides beautiful accidental back runs, blooms and bleeds, blends and stains. Its one media that has a mind of its own yet provides unintentional options to an artist like myself who loves the unplanned happenings of color and water. For instance the soft greenish color of the mermaid’s arms appeared as I was scraping the lines of the drawing through wet color. I liked the way they provided a shadow-like sense in the foreground and brought a dusky feel to the piece. I’ll be exploring this further…
Lesson learned: Let water be watery.
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I’m happy to help friend and artist (and musician) in promoting her new ‘Field Artista’ compact portable watercolor sketching kit. I have been working with it and it is a fun little set—includes a small sponge, two short shaft soft hair paint brushes, and 12 colors. Two fold-out palettes are very handy and an additional small metal screw cap water holder can be clipped onto one of the palettes keeping a small amount of water right where you need it. Good range of 12 watercolors that rewet quickly provide broad mixing possibilities.
The biggest advantage of this set is its small size—able to be used in inconspicuous settings such as coffee shops, bars or restaurants—or from the seat of your car. Easily sketch with your favorite pen or pencil and then add bold or subtle color—or vice versa. Beginner or experienced artists will find this little set is just the right size to get you started on a fun pastime or provide a new approach for your serious work. Very reasonably priced as well and sold on Amazon at $29.99. Hope you’ll check it out! And please share with your artist friends, thank you.
So go sketch from life, or work out designs for larger artworks, or…
(photo shows a small plastic cup-not included in kit)
(Blue fountain pen is found at The Goulet Pen Company)
I am so proud to have been selected by DNE Magazine published by the Boston Globe to be profiled in this issue. ‘Painting Joy’ is an accurate take on where I currently am in my art career. Ever evolving and always surprising. This kind of exposure for my work in invaluable and I appreciate the opportunity immensely. Thanks to Lori Ferguson for writing such an engaging article and to Russ Mezikovsky for the beautiful photos. And for bringing his entertaining young kids which helped me relax during the photoshoot.
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Opening reception tonight May 19th, 5:30-7:30 at Copley Society of Art, Newbury Street, Boston, MA. Meet and visit with six recent Copley Fellows who completed month-long residencies in either Cape Ann or Provincetown, MA. Stop in or visit the gallery, show is up through June. copleysociety.org
This piece in the show titled, “Sketched Around” 8×10 ink and watercolor, has a little history but nothing a redraw can’t fix. This is about a view from my studio that disappears in summer with the solidness of fully leafed out trees, and then appears again as the leaves fall in autumn. The tree structures stay while the colors change. This ink and stick sketch/drawing tries to give my impression the this movement of the seasons. If you look closely you’ll see a building/structure through the branches. It brings a bit of geometric contrast to the scratchy branching lines.
In a city like Boston, there are so many beautiful options for sketching and painting that it takes quite some time to make a decision. In a plein air event like this–painting direct from nature outdoors– painters must decide quickly where they will spend their day or risk running out of time. For a painter, the chance of losing the shadows or lighting conditions are what pressures us to settle on a view and get to work. I spent about 30 minutes walking near Trinity Church looking for a position that gave a me a broad view of the main facade, was away from dangerous traffic, had some shade for me to sit in if need be, and was not located too far from the Copley Society of Art gallery in case nature called. I had great fun doing this piece although it was chilly and windy. Nice to hear that someone bid on this piece at the Auction held May 8th. Thank you to whoever you are. Visit my painting website at www.anntrainordomingue.com
From snapshot, to sketch, to final painting–here’s a sample of how I create my paintings. Not all happen this way but this is a process I find captures an inspiration, allows me to mull over the possibilities, and then sketch options and try out with various media. I generally do not know the color palette I will use when I begin to paint. I will have one key idea about the focal area that I want to retain and then I let the process of painting take over. I’ll make many decisions on the fly. some good. Some not so good. Exploring without knowing my end goal is my idea of great fun while creating each artwork. Visit my website to see more www.anntrainordomingue.com or email me at email@example.com to receive my newsletter.
How many options are there with a photo reference such as this? So many I still haven’t exhausted the possibilities and I have done at least 12 paintings of all sizes to try to capture the essence of this scene. So much to work with. So much to leave out. The trick is which is which. And that is the most fun and challenging. Some landscape images thrill me, others do not. I use my sketchbook to work on figuring this out. Lots and lots of pages. Each one getting closer to what my sensibilities say is right. Yours, and any artist’s will be different. Isn’t that great? Visit my website to see more www.anntrainordomingue.com or email me at firstname.lastname@example.org to receive my newsletter.
Who would have thought a stroll after a nice dinner at the Lobster Pot would have captivated my artistic eye for so long. A quick snapshot taken one hot afternoon in Provincetown, MA has been the catalyst of many of my recent artworks. As with many other photos I have taken, as soon as one painting is completed I have another idea to improve/change/renovate the next one. On this one, with the advice of Mary Harding curator of the George Marshall Store Gallery in York, Maine, to “paint bigger” here is the results. Raking Light Across at 36×36 gave me the space and opportunity to really dig in and work on the layering of color and texture. It was a blast. More to come.
I am doing a thirty paintings/thirty days challenge on the Leslie Saeta blog. Painting is a sample for upcoming workshop I am teaching in Goffstown, NH at Apotheca on Superbowl Sunday afternoon.