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Posts from the ‘New hampshire’ Category

Solo show opens tomorrow at Kennedy Gallery, Portsmouth, NH

Exhibit on til April 30th. Hope you’ll stop in to see over 20 new paintings.

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Same But Different

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Detail: Looking Ahead, 24×12, acrylic on panel. Work in progress…

As I close out a successful 2016—a year of new experiences, influences, opportunities and friendships, I look ahead to 2017 as I incorporate these things into new work. Based on my previous work for sure but handled differently as I work to push my imagery and paint handling into somewhat different areas. Fish and fishermen will be prevalent, coastal imagery and inland will be integrated. Farms and sheep may appear from time to time. Buildings and people will also make an appearance. All in a days work, or should I say year’s work.

In the early spring you’ll see a new ‘animal’ gracing a page of a Maine magazine as I explored a new opportunity via my Camden Falls Gallery. My work will appear in the Art Collector Maine Portland, Art Maine annual guide 2017, and my originals and now prints and cards are available at Kennedy Gallery and Framing in Portsmouth, NH, and I’ll have a solo show there in 2017.

So many things to be thankful for as I head into the new year—another grandchild in March, too. Winter is my favorite time to paint in my studio, no matter how high the snow gets. Hope you have a Healthy and Happy New Year!

 

Design New England Sept/Oct 2016

I am so proud to have been selected by DNE Magazine published by the Boston Globe to be profiled in this issue. ‘Painting Joy’ is an accurate take on where I currently am in my art career. Ever evolving and always surprising. This kind of exposure for my work in invaluable and I appreciate the opportunity immensely. Thanks to Lori Ferguson for writing such an engaging article and to Russ Mezikovsky for the beautiful photos. And for bringing his entertaining young kids which helped me relax during the photoshoot.

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Superhero to the Rescue

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My hometown means a lot to me and I volunteer time and effort toward worthy projects. This poster is one of those. Our local Goffstown Main Street Program needed an event marketing poster–fast! My ‘previous’ career as a graphic designer/illustrator/art director kicked into gear. Yes, it took me away from painting and prepping for my Open Studio scheduled for Nov. 5&6, but it was a priority for me to see this local org succeed by helping promote the goodness and fun of our beautiful little town.

P.S. This may answer why I hear so many comments like: ‘I like the whimsy of your art’ or  ‘your art makes me smile’. I just can’t hide it even when I am doing my ‘professional’ painting work.

My treasure, someone else’s trash

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Found along back road of Concord/Bow NH

Broken down, unpainted, overgrown, rusty, messy. All the right elements for me to put on the brakes and stop the car.

Listed in no particular order: variety of warm and cool grays, strong verticals of trees and barn boards, haphazardly placed metal roofing piece, way-passed-usefulness–except for an artist–pickup truck, early fall dried branches of overgrown weeds and brambles that soften the hard edges of the non-natural forms of the truck and trash. And the splash of blue tarp color always a must.

No real plans for this beauty yet, but the wheels are turning…

 

Real Work of Art Outdoors

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The outdoor art show season is here in New England! Beautiful settings in towns, along the sea and in beautiful parks. But do the attendees appreciate the amount of work it really takes as they wander through the tents? I’ll speak to participants here but attendees will get an idea of the work involved in participating in an outdoor show.

Firstly, decide if these outdoor venues are for you. As an artist, is this how you’d like to spend your time–working in your home studio, or driving to a location maybe hours away, setting up a display in the very early morning, talking and repeating yourself to untold numbers of visitors, or patiently waiting for the occasional visitor to stop by, wondering if the weather will cooperate–sun, rain, wind or other, and of course preparing enough work for your display. Entry fees range from $30.00-over $300.00 per show. Professional tent setups range from 1200. -2000. depending on configuration.

Secondly, decide if your family situation is suited to your traveling and being away every weekend of the summer or at least many weekends. This will obviously impact your relationships with spouse and children. Its best if they are on board with this decision as it will mean a lot of time away and may be stressful on the family.

Thirdly, is your work appealing enough for visitors to purchase on an ‘impulse’ buy? Or do they need more than one interaction with the work and decide not to buy at the show. You can consider doing a series specifically for shows that may be a bit different than your other series or studio work.

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Fourth, are you ready to do the work to learn to sell your work?–since it doesn’t sell itself. Learning how to approach visitors during a show is critical. Visitors like to interact with the artists as you build your fan base. A simple–‘hello, what kind of art are you usually interested in’, or ‘what kind of subject matter do you find appealing’? Yes, you will keep the entire price you receive for a painting rather than splitting a gallery fee which can be as high as 50/50. This is a great part of doing direct sales to your customers. Some shows can be very successful financially for artists who have worked at finding just the right ‘work’ that sells.

Lastly, provide visitors with a way to contact you in the future. Give them a chance to think about how much they loved your work. Provide a flier, web address, social media contacts, note card with art sample or other memorable trinket. A one or two-day show can provide a lot of exposure to new audiences for your work. With so many artists it can be hard to stand out in a crowd of good artists.

Lesson learned: Try the show circuit and decide if all aspects of it make you happy. IF not, find another sales option such as galleries for your work.

You can find me and 40 other artists at the Uncommon Art on the Common, Saturday, August 6th 2016 in Goffstown, New Hampshire. Facebook #UncommonArtontheCommon

Poster UAOC 2016 final 11x17

Last week for ‘Along the Waterfront’

 

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Meeting Up, 18×18, acrylic on canvas.

Last week to see ‘Along the Waterfront’ exhibition at the NH Art Association Levy Gallery at 138 State Street in Portsmouth, NH. See www.nhartassociation.org  If interested in a particular artwork contact NHAA or contact me through my website at www.anntrainordomingue.com where you will find complete contact information.

Today’s the Day

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Opening reception tonight May 19th,  5:30-7:30 at Copley Society of Art, Newbury Street, Boston, MA. Meet and visit with six recent Copley Fellows who completed month-long residencies in either Cape Ann or Provincetown, MA. Stop in or visit the gallery, show is up through June. copleysociety.org

This piece in the show titled, “Sketched Around” 8×10 ink and watercolor, has a little history but nothing a redraw can’t fix. This is about a view from my studio that disappears in summer with the solidness of fully leafed out trees, and then appears again as the leaves fall in autumn. The tree structures stay while the colors change. This ink and stick sketch/drawing tries to give my impression the this movement of the seasons. If you look closely you’ll see a building/structure through the branches. It brings a bit of geometric contrast to the scratchy branching lines.

‘Along the Waterfront’ opens Friday

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Together on the Road

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Life Tapestry, 52×52, acrylic and fabric on canvas

Some artworks take on a life of their own where they are directing you instead of you directing them. This one is a perfect example. I thought I would do a large piece of a couple walking together toward the woods with light coming through tree branches. Probably using fairly realistic colors and imagery. As I was working my mind went toward a larger idea of ‘lifetime’ and how we all experience different things that add up to our unique experience in life.

I believe because I had been experimenting with fabrics for other works the idea of using the colored swatches at the left of this painting to suggest the colorful experiences of life crept into my psyche as I worked on this piece. It became a focal area and a complement to the verticality of the trees. I repeated colors into the tree branches to echo the swatches. The two figures are purposely secondary as their proportion to the bigness of their life is surprising. I hope we all get to feel that our lives have been well lived and well loved.

Lesson learned during this process, I need to talk with my work to find out how things are going. It’s probably not going where I thought at the beginning. And its ok.

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