I’m happy to help friend and artist (and musician) in promoting her new ‘Field Artista’ compact portable watercolor sketching kit. I have been working with it and it is a fun little set—includes a small sponge, two short shaft soft hair paint brushes, and 12 colors. Two fold-out palettes are very handy and an additional small metal screw cap water holder can be clipped onto one of the palettes keeping a small amount of water right where you need it. Good range of 12 watercolors that rewet quickly provide broad mixing possibilities.
The biggest advantage of this set is its small size—able to be used in inconspicuous settings such as coffee shops, bars or restaurants—or from the seat of your car. Easily sketch with your favorite pen or pencil and then add bold or subtle color—or vice versa. Beginner or experienced artists will find this little set is just the right size to get you started on a fun pastime or provide a new approach for your serious work. Very reasonably priced as well and sold on Amazon at $29.99. Hope you’ll check it out! And please share with your artist friends, thank you.
So go sketch from life, or work out designs for larger artworks, or…
(photo shows a small plastic cup-not included in kit)
(Blue fountain pen is found at The Goulet Pen Company)
Opening reception tonight May 19th, 5:30-7:30 at Copley Society of Art, Newbury Street, Boston, MA. Meet and visit with six recent Copley Fellows who completed month-long residencies in either Cape Ann or Provincetown, MA. Stop in or visit the gallery, show is up through June. copleysociety.org
This piece in the show titled, “Sketched Around” 8×10 ink and watercolor, has a little history but nothing a redraw can’t fix. This is about a view from my studio that disappears in summer with the solidness of fully leafed out trees, and then appears again as the leaves fall in autumn. The tree structures stay while the colors change. This ink and stick sketch/drawing tries to give my impression the this movement of the seasons. If you look closely you’ll see a building/structure through the branches. It brings a bit of geometric contrast to the scratchy branching lines.
We artists have so many options open to us as we design a new piece of art. This one is less real and more abstract or is it more real and less abstract. Let me explain. I love working with the landscape–New England, Caribbean and beyond– and that does not always mean working directly in front of it–plein air–as it is commonly known. I enjoy the process of interpreting the things that have inspired me and reworking into artworks that speak the language of the landscape but also let my personal interpretations in as well. I appreciate the time and efforts–and suffering–many of my painter friends put in for the sake of their art. For me I do plein air for other reasons, not to produce a final piece of art but to learn from the landscape of that day–to practice mixing colors, to see subtle tones, to work despite less than ideal conditions, to sketch quickly my impressions, to get out of the studio and get some fresh air–and perspective. My personal art process uses both the plein air experience and the studio experience to create art unique to me. If anything, I admit I am a fairweather plein air painter.
For purchase and/or more information please visit www.anntrainordomingue.com orwww.facebook.com/anntrainordomingueart for regular updates. Thanks in advance for sharing my work.
Working on a motif I had begun while at my artist residency in Provincetown, MA this past summer. The working waterfront area there is rich with image possibilities and this is a bit of an abstracted view of the piers. It may well become a larger painting with emphasis on the verticals of the piers in contrast to the boats. “Waiting for Tomorrow” was done on paper with ArtGraf carbon and colored pencils. Completed as part of the 30 paintings in 30 days project of the blog http://www.lesliesaeta.blogspot.com/