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Posts from the ‘Goffstown NH’ Category

Embracing Family, Embracing Series

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Every Which Way, 24×36, acrylic

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Pattern in Blues, 24×36, acrylic

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Time of Day, 24×24, acrylic.

Its taken me some time to really embrace the idea of working in a series. I understand the concept and can readily see it in other artists’ work, but have consistently had difficulties adopting this idea in developing my own work, until now. The examples above show my recent attempts at exploring elements of my work and producing new works that embody aspects related to one another. Sort of like a family of children who look very similar, but are unique in their own way. Here’s where it has been tough for me. My background as an illustrator has given me broad skills to create just about anything. But that is not necessarily helpful in my career as a painter. Here’s what I’ve learned.

My extended family reaches far into the world as we have welcomed the changes life brings, and all is well. Marriages, divorces, friends, godchildren, distant relatives–not unlike many of you I’m sure. As relationships relate to my artwork though it sometimes appears as though I’ve adopted children from another planet, never mind my own world. So I have found it helpful to model my new found attention to working in a series after my family. Now it makes a bit more sense as I develop new art—as I choose which aspects to retain, and which to remember as an important lesson.

Finding the core element of the New England landscape (my lifelong home area) has been key to creating an armature/home where I can then change details while keeping a foundation in place. I’ll proceed into the New Year 2017 with a blueprint–one where I will still be able to enjoy serendipitous happenings as I evaluate new ideas to keep my family of work warm and cozy.

Hope you and your family have a wonderful Christmas and Happy New Year. And as always, thank you for your continued support.

Ann

(If interested in any of these artworks, consult my website http://www.anntrainordomingue.com or contact me directly.)

 

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Design New England Sept/Oct 2016

I am so proud to have been selected by DNE Magazine published by the Boston Globe to be profiled in this issue. ‘Painting Joy’ is an accurate take on where I currently am in my art career. Ever evolving and always surprising. This kind of exposure for my work in invaluable and I appreciate the opportunity immensely. Thanks to Lori Ferguson for writing such an engaging article and to Russ Mezikovsky for the beautiful photos. And for bringing his entertaining young kids which helped me relax during the photoshoot.

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Superhero to the Rescue

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My hometown means a lot to me and I volunteer time and effort toward worthy projects. This poster is one of those. Our local Goffstown Main Street Program needed an event marketing poster–fast! My ‘previous’ career as a graphic designer/illustrator/art director kicked into gear. Yes, it took me away from painting and prepping for my Open Studio scheduled for Nov. 5&6, but it was a priority for me to see this local org succeed by helping promote the goodness and fun of our beautiful little town.

P.S. This may answer why I hear so many comments like: ‘I like the whimsy of your art’ or  ‘your art makes me smile’. I just can’t hide it even when I am doing my ‘professional’ painting work.

Real Work of Art Outdoors

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The outdoor art show season is here in New England! Beautiful settings in towns, along the sea and in beautiful parks. But do the attendees appreciate the amount of work it really takes as they wander through the tents? I’ll speak to participants here but attendees will get an idea of the work involved in participating in an outdoor show.

Firstly, decide if these outdoor venues are for you. As an artist, is this how you’d like to spend your time–working in your home studio, or driving to a location maybe hours away, setting up a display in the very early morning, talking and repeating yourself to untold numbers of visitors, or patiently waiting for the occasional visitor to stop by, wondering if the weather will cooperate–sun, rain, wind or other, and of course preparing enough work for your display. Entry fees range from $30.00-over $300.00 per show. Professional tent setups range from 1200. -2000. depending on configuration.

Secondly, decide if your family situation is suited to your traveling and being away every weekend of the summer or at least many weekends. This will obviously impact your relationships with spouse and children. Its best if they are on board with this decision as it will mean a lot of time away and may be stressful on the family.

Thirdly, is your work appealing enough for visitors to purchase on an ‘impulse’ buy? Or do they need more than one interaction with the work and decide not to buy at the show. You can consider doing a series specifically for shows that may be a bit different than your other series or studio work.

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Fourth, are you ready to do the work to learn to sell your work?–since it doesn’t sell itself. Learning how to approach visitors during a show is critical. Visitors like to interact with the artists as you build your fan base. A simple–‘hello, what kind of art are you usually interested in’, or ‘what kind of subject matter do you find appealing’? Yes, you will keep the entire price you receive for a painting rather than splitting a gallery fee which can be as high as 50/50. This is a great part of doing direct sales to your customers. Some shows can be very successful financially for artists who have worked at finding just the right ‘work’ that sells.

Lastly, provide visitors with a way to contact you in the future. Give them a chance to think about how much they loved your work. Provide a flier, web address, social media contacts, note card with art sample or other memorable trinket. A one or two-day show can provide a lot of exposure to new audiences for your work. With so many artists it can be hard to stand out in a crowd of good artists.

Lesson learned: Try the show circuit and decide if all aspects of it make you happy. IF not, find another sales option such as galleries for your work.

You can find me and 40 other artists at the Uncommon Art on the Common, Saturday, August 6th 2016 in Goffstown, New Hampshire. Facebook #UncommonArtontheCommon

Poster UAOC 2016 final 11x17

Today’s the Day

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Opening reception tonight May 19th,  5:30-7:30 at Copley Society of Art, Newbury Street, Boston, MA. Meet and visit with six recent Copley Fellows who completed month-long residencies in either Cape Ann or Provincetown, MA. Stop in or visit the gallery, show is up through June. copleysociety.org

This piece in the show titled, “Sketched Around” 8×10 ink and watercolor, has a little history but nothing a redraw can’t fix. This is about a view from my studio that disappears in summer with the solidness of fully leafed out trees, and then appears again as the leaves fall in autumn. The tree structures stay while the colors change. This ink and stick sketch/drawing tries to give my impression the this movement of the seasons. If you look closely you’ll see a building/structure through the branches. It brings a bit of geometric contrast to the scratchy branching lines.

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I am doing a thirty paintings/thirty days challenge on the Leslie Saeta blog. Painting is a sample for upcoming workshop I am teaching in Goffstown, NH at Apotheca on Superbowl Sunday afternoon.

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A family farm in Goffstown NH

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