It Takes a Village, 30×30, acrylic on canvas.
‘It Takes a Village,’ a few words from an African proverb, was the inspiration for developing this new series of work. The first in the series is shown above–an imagined area of a small fishing village where activity is the norm and people know each other. By the sound of voices, dogs barking, children playing, and engines running. Subtle sounds of life happening as it does day after day in small American villages all over our country.
Preliminary drawing to design the square canvas shape.
I have taken this theme and worked to bring aspects of different villages in New England together in individual paintings. One painting may have a cupola from Monhegan or Portland and a fish shack from Kittery or Camden, or a beautiful home in Goffstown to a Victorian era mansion in Laconia or New Boston or Cape Cod. There are many ideas rolling around in my head to create new ‘villages’ this summer. Stay tuned.
Drawn line using fluid acrylic with red wash under painting.
Lesson learned: A pair of historic fishing shacks on Monhegan Island, Maine has proven to contain a watershed of ideas for my art journey. Little did I know my first painting trip there in 2003 would offer such a huge amount of inspiration and direction. A big thank you to Stan Moeller a wonderful plein air painter from Kittery Maine was the instructor who opened the door to plein air painting and studio painting. www.anntrainordomingue.com
So this little gem was drawn by my 6 year old granddaughter and pinned to my studio wall. These eyes have been staring at me for a few months as if to say ‘hey, why not use me in your paintings?’ or ‘you use so many fish how about giving us birds a chance?’ So I’ve been listening and adding a bit more wild life into my work–humans and birds and fish. Covering most bases with an occasional dog making a cameo. I’m learning to always consider new things in my work–careful not to throw myself offtrack–but to think of how an innocent little drawing can breath new life into my work. Thank you Gwendolyn. Love, Grannie.
Here are a few more birds that have made in onto my canvases lately.
Lesson learned: When developing new work, let something new in.
Exhibit on til April 30th. Hope you’ll stop in to see over 20 new paintings.
Woven Into Life, mixed media acrylic, 12×12
Its amazing how many things in the news, on television, on websites, on social media feeds, in email, on tablets, and on our phones seem so much more important than things that really matter. Like face to face conversations, talking out loud not in the silence of a phone text, listening to the tone of voice in a conversation can be more meaningful than a long winded conversation. And when looking at artwork a quiet thought about what the artist was intending can be an interesting way to spend a moment or two.
In our digital impersonal age I try to remember to be sure to communicate with family, friends, and strangers in the old-fashioned way. With a smile and a hello, it surprises me how many people don’t expect you to say hello today. But they reply in kind and usually continue the conversation even if it is small talk. Small talk can lead to bigger and better things. And interacting with the thought process of an artist can yield something that matters as well.
Lesson learned: I asked a collector what drew him to this piece of art and he responded with something I didn’t intend in this piece. I intended a couple inside their ‘home’ awaiting the birth of their child and how wonderful and amazing it is. He recognized that too but also more importantly was the dark-skinned ethnicity of the male figure exemplifying a broader world view was what touched him. I just never know. I’m sure the impending birth of another grandchild this week has prompted this post.
I’m happy to help friend and artist (and musician) in promoting her new ‘Field Artista’ compact portable watercolor sketching kit. I have been working with it and it is a fun little set—includes a small sponge, two short shaft soft hair paint brushes, and 12 colors. Two fold-out palettes are very handy and an additional small metal screw cap water holder can be clipped onto one of the palettes keeping a small amount of water right where you need it. Good range of 12 watercolors that rewet quickly provide broad mixing possibilities.
The biggest advantage of this set is its small size—able to be used in inconspicuous settings such as coffee shops, bars or restaurants—or from the seat of your car. Easily sketch with your favorite pen or pencil and then add bold or subtle color—or vice versa. Beginner or experienced artists will find this little set is just the right size to get you started on a fun pastime or provide a new approach for your serious work. Very reasonably priced as well and sold on Amazon at $29.99. Hope you’ll check it out! And please share with your artist friends, thank you.
So go sketch from life, or work out designs for larger artworks, or…
(photo shows a small plastic cup-not included in kit)
(Blue fountain pen is found at The Goulet Pen Company)
Every Which Way, 24×36, acrylic
Pattern in Blues, 24×36, acrylic
Time of Day, 24×24, acrylic.
Its taken me some time to really embrace the idea of working in a series. I understand the concept and can readily see it in other artists’ work, but have consistently had difficulties adopting this idea in developing my own work, until now. The examples above show my recent attempts at exploring elements of my work and producing new works that embody aspects related to one another. Sort of like a family of children who look very similar, but are unique in their own way. Here’s where it has been tough for me. My background as an illustrator has given me broad skills to create just about anything. But that is not necessarily helpful in my career as a painter. Here’s what I’ve learned.
My extended family reaches far into the world as we have welcomed the changes life brings, and all is well. Marriages, divorces, friends, godchildren, distant relatives–not unlike many of you I’m sure. As relationships relate to my artwork though it sometimes appears as though I’ve adopted children from another planet, never mind my own world. So I have found it helpful to model my new found attention to working in a series after my family. Now it makes a bit more sense as I develop new art—as I choose which aspects to retain, and which to remember as an important lesson.
Finding the core element of the New England landscape (my lifelong home area) has been key to creating an armature/home where I can then change details while keeping a foundation in place. I’ll proceed into the New Year 2017 with a blueprint–one where I will still be able to enjoy serendipitous happenings as I evaluate new ideas to keep my family of work warm and cozy.
Hope you and your family have a wonderful Christmas and Happy New Year. And as always, thank you for your continued support.
(If interested in any of these artworks, consult my website http://www.anntrainordomingue.com or contact me directly.)
I am so proud to have been selected by DNE Magazine published by the Boston Globe to be profiled in this issue. ‘Painting Joy’ is an accurate take on where I currently am in my art career. Ever evolving and always surprising. This kind of exposure for my work in invaluable and I appreciate the opportunity immensely. Thanks to Lori Ferguson for writing such an engaging article and to Russ Mezikovsky for the beautiful photos. And for bringing his entertaining young kids which helped me relax during the photoshoot.
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My hometown means a lot to me and I volunteer time and effort toward worthy projects. This poster is one of those. Our local Goffstown Main Street Program needed an event marketing poster–fast! My ‘previous’ career as a graphic designer/illustrator/art director kicked into gear. Yes, it took me away from painting and prepping for my Open Studio scheduled for Nov. 5&6, but it was a priority for me to see this local org succeed by helping promote the goodness and fun of our beautiful little town.
P.S. This may answer why I hear so many comments like: ‘I like the whimsy of your art’ or ‘your art makes me smile’. I just can’t hide it even when I am doing my ‘professional’ painting work.
Found along back road of Concord/Bow NH
Broken down, unpainted, overgrown, rusty, messy. All the right elements for me to put on the brakes and stop the car.
Listed in no particular order: variety of warm and cool grays, strong verticals of trees and barn boards, haphazardly placed metal roofing piece, way-passed-usefulness–except for an artist–pickup truck, early fall dried branches of overgrown weeds and brambles that soften the hard edges of the non-natural forms of the truck and trash. And the splash of blue tarp color always a must.
No real plans for this beauty yet, but the wheels are turning…