‘All Our Tomorrows’ evolved during the late spring early summer 2021 as I was preparing for an upcoming feature show at Portland Art Gallery. I experimented with developing a painting in a different way by cutting tissue paper shapes of some main design elements in a collage-style approach and then layering fast drying acrylic to build color and depth. This work is a continuation of my recent coastal-inspired relationship series.
Now after the confusing and difficult year of 2020, problems have been brought forward into 2021 with even more divisive issues. We all hoped things would settle down for a while. But not so fast.
This painting evolved into this image that amid the chaos of life some sense of connection, love and caring can still be found. Two people. A simple hand held. A most powerful relationship when each finds what is most important in one other. Good things begin this way.
This is an image of hope for the future that people will value each other’s differing opinions instead of forcing the other to submit to an ideology that is not in line with their own understandings, sensibilities and life experiences. What ever happened to having an opinion about a topic and having a conversation with another human being? Wasn’t this how we resolved differences or let ‘bygones be bygones’? Or simply allow another person to maintain their point of view while still being friends? Is this really a lost art? I hope not.
The moon has a pull that I don’t understand in its entirety, but I still find it a fascinating detail to place in my work. Even adding another where it doesn’t make sense. Am I to use my creativity to reiterate and repeat reality? Or is it to reinvent/rework/recreate/renew a common image by imbuing it with fresh ways of looking, bringing another point of view for others to ponder? As in life, encouraging new ideas and new ways of looking at things can make all the difference. Hopefully shedding light and new joy.
Lesson learned: Keep making images that bring joy and hope.
“… home was not just a cabin in a deep woods that overlooked a placid cove. Home was a state of mind, the peace that came from being who you were and living an honest life.” ― Kristin Hannah, The Great Alone
We all have such different ideas of what home is. The quote above was one I found while doing a bit of searching for a quote by an author that resonated with me and reflected the small family vignette of one of my large paintings I have selected for this post.
This image is part of a 40″x60″ acrylic painting titled ‘Village in the Pursuit of Happiness’. In this ‘village’ series I have incorporated several different visual ideas of what living in a village feels like for me. I am careful to not be too precious with shapes and color and detail rather letting all the vignettes live together peacefully as a painting. View a full image of ‘Village in the Pursuit of Happiness’ with this link.https://anntrainordomingue.com/Art/Detail.php?artid=1211296
Lesson Learned: Home is not only the shelter we live in, but also how we create a life together in the shelter of home.
Are you sensing something similar to what I’ve presented in this artwork? A very large gap between differences and similarities? A space between two people that seems permanent? An inability to reach across time and space to reconnect with someone who was special to us? A sense that the space is getting wider? An idea that life as we knew it is not likely to return in a familiar way? During this pandemic I believe we’ve all been forced to adjust and accept certain changes. And I believe we’ve also tried to retain and keep close to our hearts people, things, and experiences that we are not willing to let go of–ever. They hold too much meaning and are part of our souls. To let go would mean failure and giving up on something that matters most.
This painting is my thought of what it may look like to build a simple bridge. Even though it may seem too delicate or hard to see, its a start. A way to reconnect with another soul who’d like to be touched by an honest peaceful gesture of friendship. Especially when differences are known to both individuals. We should reach out to one another because we believe in individuals being just that. Individually absorbing life and times, choosing a point of view and forming opinions. I hope despite core differences, we can each find our core similarities. And use these to make our way back to civility and respect of all people.
Lesson learned: If a friendship is formed on foundation of respect, holding different viewpoints should not matter.
This is my first calendar and I am excited to let you see it just before it is ready for sale! I am distributing it through one venue only– Kennedy Gallery and Custom Framing located at 41 Market Street in Portsmouth, NH. Please call to reserve yours at 603-436-7007 or send email to firstname.lastname@example.org
The calendar is quite different from standard art calendars in that I have included a story and inspiration behind each artwork to let you in on the behind the scenes work and thought process of each of 12 frameable images. Several images are also available as blank notecards and prints also only available at Kennedy Gallery. Just ask, they will be happy to help. See sample page below.
Thank you for your interest in the calendar. the image above shows the 12 different artworks included in the 2021 calender. This will make a great gift for someone who loves art and the thinking behind an art work.
Lesson learned: Take a risk and the rest will work itself out in due time.
I hear people say that New Englanders tend to be unfriendly and closed-minded, set in their ways, or unwelcoming. Not sure where they live or may be from, but I find the opposite to be true. Maybe its because as a lifelong New Englander I am willing to say hello, smile a bit, or offer help when I see it may be needed. Granted I am not one to seek the spotlight and cringe a bit when it happens in my life as an artist. I am also ok with people and strangers needing their space, needing time to adjust to a situation that is unfamiliar, or unexpected. And this may be what is taken as unfriendly behavior.
As a visitor to Provincetown MA over the last few years I’m consistently finding a friendly helpful vibe when I am there doing a return artist residency. It is a laid back place that is awash with strangers and visitors from June through September and beyond. I am able to wander around and watch a whole lot of life happening from tourists being tourists, to locals being locals.
But mostly its a friendly New England experience when you walk slightly beyond the wild and lively heart of Commercial Street. Take a side road toward the water to experience a view not often taken in by fast moving on-the-surface visitors. You’ll find a bit of peace and quiet among the seagulls and the locals who go there to recharge.
Stop by Uncommon Art on the Common outdoor art show on Saturday, August 3, 9-3. Over 40 artists in various mediums from painting to jewelry to handcrafted wooden birdhouses! A beautiful way to spend a summer day–visit local eateries, rest on the new benches positioned around town, and of course browse the artwork created by local NH artists. Hope you’ll share the news and stop by! Thank you.
Last week to see ‘Along the Waterfront’ exhibition at the NH Art Association Levy Gallery at 138 State Street in Portsmouth, NH. See www.nhartassociation.org If interested in a particular artwork contact NHAA or contact me through my website at www.anntrainordomingue.com where you will find complete contact information.
As artists we are always on the look out for things that capture our attention. We may not know what we are going to do with that little tidbit at the moment but we file it away for future use. And yes, we forget about them sometimes. But as an individual artist we tend to notice similar things, over and over. And therein lies the key.
Very coarsely-painted beginning
Not sure who said it but “notice what you notice” is such a great statement. Especially if you are an artist looking for direction. Randomness is not an asset when it comes to defining who you are as an artist. Maybe at a later more experienced point it will be, but not at the outset. Looking intensely at a series of photos you’ve taken, making notes of what interests you in the landscape or people-scapes around you. Look for the pattern created when you go out for a walk–are you looking at minute details of flowers, or rolling hillsides, or how the light shines through the woods. The sooner you find your personal pattern, the more directed you can be in your artistic development.
Using the rough sketch to develop painting design further
For me, the coastal waterfront and all its details have been at the very top of my list. Early on impressive sunrises and sunsets were at the very top. I loved them, but did not necessarily want to paint about them. So many people were already doing that. I wanted to paint about things differently and add something that gave the viewer more information about the things I find important.
A red-colored work boat in Provincetown harbor provided the needed intensity to dive into this subject in various ways and create some final paintings. Even after many years I am still intrigued by this working pier in Provincetown. The activity, the aged boats that still work every day, the people who go out on the sea day after day–I admire them for their bravery. I once thought I would like that life but have since come to my senses. Seasickness and I are companions unfortunately but I still love being on the water when I can. So even a landlubber can have great appreciation for things connected to the sea. I have plans to explore this motif and weave in some themes of connectedness, friendship and awe. To be continued…
Closeup look at detail of a 24×24 painting depicting the simple drama of red against blues.
From snapshot, to sketch, to final painting–here’s a sample of how I create my paintings. Not all happen this way but this is a process I find captures an inspiration, allows me to mull over the possibilities, and then sketch options and try out with various media. I generally do not know the color palette I will use when I begin to paint. I will have one key idea about the focal area that I want to retain and then I let the process of painting take over. I’ll make many decisions on the fly. some good. Some not so good. Exploring without knowing my end goal is my idea of great fun while creating each artwork. Visit my website to see more www.anntrainordomingue.com or email me at email@example.com to receive my newsletter.
Thanks for stopping by. Hope you'll learn a bit about my art process and then visit my website or gallery links to see if you find a painting that speaks to you. I appreciate your support and for sharing my art.