I can speak for many of us when I say we all have a special someone in our life. Someone who sees us for who we really are yet gives us space to grow and mature. It is that person who is represented in these doorway images I frequently incorporate in my work. It is intentionally not a portrait but a symbol/gist/likeness of what it may look like to be part of another person – note where I have merged color to connect people together. To love being close and feeling their warmth. Sharing life’s lights and darks, it’s rough and smooth edges, its absolute joys and sorrows. Some of my fans and collectors find all this imbued in my work and let me know through heartfelt notes and emails. When I began making these images I was not aware of how deeply someone else would feel about them. After over 10 years of painting fulltime, I now know that what I create can hit home in ways I never imagined. Thank you for allowing my work to touch your soul and in some cases, heal it.
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See more of my work online at anntrainordomingue.com
The moon has a pull that I don’t understand in its entirety, but I still find it a fascinating detail to place in my work. Even adding another where it doesn’t make sense. Am I to use my creativity to reiterate and repeat reality? Or is it to reinvent/rework/recreate/renew a common image by imbuing it with fresh ways of looking, bringing another point of view for others to ponder? As in life, encouraging new ideas and new ways of looking at things can make all the difference. Hopefully shedding light and new joy.
Lesson learned: Keep making images that bring joy and hope.
In this new painting, ‘Village Under the Sun’, the imagery is filled with all kinds of transitions— from line to gradient, warm to cool colors, curves to angles, light to dark values, textured to smooth surface, not to mention the imagined overlapping and off-kilter architecture. And the changing unreal scale of buildings and people. Yet if handled well, all these juxtapostions can live peacefully together. Creating a kind of balance that despite its quirkiness and unusual views, still does create a recognizable world where we live well in the peacefulness of a place we call home. Contact Kennedy Gallery in Portsmouth NH for more information. Visit Ann Trainor Domingue website for more info.
Lesson learned: Living together in peace despite differences matters most. Let’s hope the upcoming election results in a peaceful transition or continuation for America’s sake.
This is my first calendar and I am excited to let you see it just before it is ready for sale! I am distributing it through one venue only– Kennedy Gallery and Custom Framing located at 41 Market Street in Portsmouth, NH. Please call to reserve yours at 603-436-7007 or send email to email@example.com
The calendar is quite different from standard art calendars in that I have included a story and inspiration behind each artwork to let you in on the behind the scenes work and thought process of each of 12 frameable images. Several images are also available as blank notecards and prints also only available at Kennedy Gallery. Just ask, they will be happy to help. See sample page below.
Thank you for your interest in the calendar. the image above shows the 12 different artworks included in the 2021 calender. This will make a great gift for someone who loves art and the thinking behind an art work.
Lesson learned: Take a risk and the rest will work itself out in due time.
While the USA and world are getting their act together on this Covid19 virus and its effect on our health and economy, I have been focusing on being ready when our previously strong economy is again unleashed to get Americans doing what they do best. Work. And at the same time solve the mystery of this virus. We need to work and make the world go round again. Its time to be with our family and friends, safely and smartly. Peace and good health to all. We are smart enough to do this well.
Looking for an art workshop that works? That will help you decide what you should be making? Please join me in 2021 for an art workshop that will make you think and give you the confidence to create YOUR art. More details to come in early 2021.
Fishermen are famous for fish stories. But not this one. Bill Sisson, Editor-in-Chief of AnglersJournalat aimmedia.com was true to his word. A stroll in downtown Portsmouth, NH resulted in this collaboration of poetry and art. Poetry by Elizabeth Bishophttps://www.poetryfoundation.org/podcasts/75635/at-the-fishhouses (available as a podcast in this link), was in the process of acquiring approvals to be published in an issue of Anglers Journal. My artwork happened to be on display at Kennedy Gallery in Portsmouth when Bill walked by already thinking about imagery to support Elizabeth’s poem, ‘At the Fishhouses’. Serendipity happens. He walked in to the gallery, viewed more of my work and asked for contact info. I was thrilled to receive the phone call and quickly said yes to this collaboration with such a prestigious author. I had not known her or her work but loved it when I read the verse. Almost as though it was meant to be.
My series of artworks featuring fishhouses began with my first painting workshop trip to Monhegan Island with painter Stan Moeller in 2003. The two fishhouses on the beach began a years-long semi-obsession with what they represented for me–two stalwart structures standing strong year-round, constantly being shored-up to withstand whatever came their way. As two people might also do.
Thank you Bill and Anglers Journal for patiently going through the years long process of receiving approvals to publish Elizabeth’s work. And especially for giving me, Ann Trainor Domingue, this unique opportunity to be paired with a giant in the poetry world.
Lesson learned: Do the work, show the work. You just never know.
Chalk drawing on dry painting to indicate rework to improve the figures.
Color added to new shapes.
Final painting, 36×36 acrylic on canvas.
I began this painting several years ago and after being seen and exhibited it found its way back to me. I looked at it again with a new point of view gathered along the way on my art journey. The overall design of the piece I still liked but some of the details especially in the figures were not defined enough. The colors were more muted than I felt the piece now needed. So, next step was to hang it on the studio wall and rethink my previous effort. The earlier work is not a wasted effort though, its just that my point of view and my ability to ‘see’ how all the parts relate to each other has improved.
One way I make renovations/changes/improvements is by testing my rework idea by drawing with chalk first to envision the new shapes on top of the dry paint. When I see better shapes and interactions I then begin to reevaluate color and layer over the old paint. I have more confidence in this approach now because I use Golden Open slow dry acrylic to layer paint knowing I can easily wipe off the change if needed. This ability to make changes and edit on the fly is really a game changer for me.
‘Forever Arm in Arm in Power Boots’ 36×36 on canvas is now one of my favorites. My charismatic neighbor saw it and noticed I had put her red gardening boots on the woman figure–she called them ‘power boots’ so I adopted the idea and lengthened the title of the piece. She so embodies the power boots idea. Thank you Friede!
Lessons learned: Pay attention to your neighbor’s gardening boots. And renewing older work puts my newest learning into action.
Every once in a while I work on an idea for no particular reason, with no particular outcome in mind. I had done some sketches and small watercolors using a mermaid as the main feature. I continued working to find a look for the mermaid ‘muse’ that for me was more real–but not realistic. Imperfections and all.
The way watercolor works provides beautiful accidental back runs, blooms and bleeds, blends and stains. Its one media that has a mind of its own yet provides unintentional options to an artist like myself who loves the unplanned happenings of color and water. For instance the soft greenish color of the mermaid’s arms appeared as I was scraping the lines of the drawing through wet color. I liked the way they provided a shadow-like sense in the foreground and brought a dusky feel to the piece. I’ll be exploring this further…
Lesson learned: Let water be watery.
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Thanks for stopping by. Hope you'll learn a bit about my art process and then visit my website or gallery links to see if you find a painting that speaks to you. I appreciate your support and for sharing my art.