Skip to content

Posts from the ‘painting’ Category

The Big Day

17675 The Big Day acryl canv 18x18 sm

The Big Day, acrylic on canvas, 18×18. 

This recent painting was inspired partially by the wedding of my granddaughter combined with a sense of how I feel about marrying my husband more than 20 years ago. Just a sweet feeling of the joy of the day and being able to share it with someone I truly love. I’m not one to let my emotions out easily but in this case it has turned into a bit of a series of works that lets me bring some of these memorable moments to life.

My ongoing series of fishermen and women and their families have been a way for me to present sentiments such as togetherness, love, support, family, constancy, persistence, fun, optimism and faith. It is an authentic-to-me way of adding figurative/people into my work which I have been searching for for years.

I allow real life situations to provide a moment–it just nudges me with a notion of ‘hey, that might make a good way to imagine a relationship’ and away I go. Pick up a sketchbook and draft some designs, then on to a quick watercolor sketch of a composition.

IMG_0785

Sample rough sketch of idea

Once I decide on a design I move quickly to develop a painting and usually paint it in one sitting–or standing. I like the process of committing to an idea and working it through in a day or so. Then I might rework areas after a good night’s sleep. If I feel something is not quite right I wait a few days, stare at it from my old stuffed rocking chair in the studio. I’ll make the adjustments and then it is done. And I move on to another idea.

Here are two other paintings in the series of relationship paintings:

The big day continues to be the best day of my life. I hope you’ve experienced one that stays with you forever, too.

Read about the details on these pieces on my website at www.anntrainordomingue.com

Lesson learned: It’s never too late to have a Big Day. In life, in art. 


NOTE: OPEN STUDIO 2017, NOVEMBER 4 & 5, 10-4. Details/directions on website.

Advertisements

Solo show opens tomorrow at Kennedy Gallery, Portsmouth, NH

Exhibit on til April 30th. Hope you’ll stop in to see over 20 new paintings.

fb solo show ad

Sketching Small is Big

20170118_115025

I’m happy to help friend and artist (and musician) in promoting her new ‘Field Artista’ compact portable watercolor sketching kit.  I have been working with it and it is a fun little set—includes a small sponge, two short shaft soft hair paint brushes, and 12 colors. Two fold-out palettes are very handy and an additional small metal screw cap water holder can be clipped onto one of the palettes keeping a small amount of water right where you need it. Good range of 12 watercolors that rewet quickly provide broad mixing possibilities.

The biggest advantage of this set is its small sizeable to be used in inconspicuous settings such as coffee shops, bars or restaurants—or from the seat of your car. Easily sketch with your favorite pen or pencil and then add bold or subtle color—or vice versa. Beginner or experienced artists will find this little set is just the right size to get you started on a fun pastime or provide a new approach for your serious work. Very reasonably priced as well and sold on Amazon at $29.99. Hope you’ll check it out!  And please share with your artist friends, thank you.

So go sketch from life, or work out designs for larger artworks, or…

(photo shows a small plastic cup-not included in kit)

(Blue fountain pen is found at The Goulet Pen Company)

Same But Different

20161205_142132

Detail: Looking Ahead, 24×12, acrylic on panel. Work in progress…

As I close out a successful 2016—a year of new experiences, influences, opportunities and friendships, I look ahead to 2017 as I incorporate these things into new work. Based on my previous work for sure but handled differently as I work to push my imagery and paint handling into somewhat different areas. Fish and fishermen will be prevalent, coastal imagery and inland will be integrated. Farms and sheep may appear from time to time. Buildings and people will also make an appearance. All in a days work, or should I say year’s work.

In the early spring you’ll see a new ‘animal’ gracing a page of a Maine magazine as I explored a new opportunity via my Camden Falls Gallery. My work will appear in the Art Collector Maine Portland, Art Maine annual guide 2017, and my originals and now prints and cards are available at Kennedy Gallery and Framing in Portsmouth, NH, and I’ll have a solo show there in 2017.

So many things to be thankful for as I head into the new year—another grandchild in March, too. Winter is my favorite time to paint in my studio, no matter how high the snow gets. Hope you have a Healthy and Happy New Year!

 

Embracing Family, Embracing Series

blog-series-2-pinks-sm

Every Which Way, 24×36, acrylic

blog-series-3-blues-sm

Pattern in Blues, 24×36, acrylic

blog-series-pic-1-sm

Time of Day, 24×24, acrylic.

Its taken me some time to really embrace the idea of working in a series. I understand the concept and can readily see it in other artists’ work, but have consistently had difficulties adopting this idea in developing my own work, until now. The examples above show my recent attempts at exploring elements of my work and producing new works that embody aspects related to one another. Sort of like a family of children who look very similar, but are unique in their own way. Here’s where it has been tough for me. My background as an illustrator has given me broad skills to create just about anything. But that is not necessarily helpful in my career as a painter. Here’s what I’ve learned.

My extended family reaches far into the world as we have welcomed the changes life brings, and all is well. Marriages, divorces, friends, godchildren, distant relatives–not unlike many of you I’m sure. As relationships relate to my artwork though it sometimes appears as though I’ve adopted children from another planet, never mind my own world. So I have found it helpful to model my new found attention to working in a series after my family. Now it makes a bit more sense as I develop new art—as I choose which aspects to retain, and which to remember as an important lesson.

Finding the core element of the New England landscape (my lifelong home area) has been key to creating an armature/home where I can then change details while keeping a foundation in place. I’ll proceed into the New Year 2017 with a blueprint–one where I will still be able to enjoy serendipitous happenings as I evaluate new ideas to keep my family of work warm and cozy.

Hope you and your family have a wonderful Christmas and Happy New Year. And as always, thank you for your continued support.

Ann

(If interested in any of these artworks, consult my website http://www.anntrainordomingue.com or contact me directly.)

 

Last week for ‘Along the Waterfront’

 

16493 Meeting Up acryl canv 18x18 sm

Meeting Up, 18×18, acrylic on canvas.

Last week to see ‘Along the Waterfront’ exhibition at the NH Art Association Levy Gallery at 138 State Street in Portsmouth, NH. See www.nhartassociation.org  If interested in a particular artwork contact NHAA or contact me through my website at www.anntrainordomingue.com where you will find complete contact information.

Copley Society of Art Boston opening

16467 Autumn Near and Far acryl fabr on canv 54x36 cs

Autumn Near and Far, acrylic and fabric on canvas, 52×32, gallery wrap, Ann Trainor Domingue

Opening reception for Copley Fellows exhibition, Thursday, May 19, 2016 at Copley Society of Art, 136 Newbury Street, Boston, MA, 5:30-7:30. Meet six Copley Fellows who were selected to complete an artist residency at either Cape Ann, MA or the Fine Arts Work Center in Provincetown, MA. Talk with the artists and discover how our experiences have influenced our current works. Some of us have realized big changes while others are more subtle. We’d love to have you visit the opening, chat about our work, and learn a thing or two about what makes each of us unique. Thank you.

Participating artists are: Ann Trainor Domingue,  Barbara Leiner Greenstein, Eli Cedrone, Abby Lammers, Page Railsback and Gail Sauter.

‘Along the Waterfront’ opens Friday

Along the Waterfront one page promo

Lesson 1: Finished Before Starting

P1180258

Changing my mind early on before I go too far

Sketchbook work is the foundation for almost all of my paintings. I depend on small scale sketches to discover the design foundation of each piece before I proceed to finish–or at least that is my plan. But sometimes just a few lines on a canvas derails even the most promising sketch. Here is a good example. The black lines–done first just didn’t make as strong a design as I hoped when I scaled up from a thumbnail to this 18×18. I first sketched on the grey gessoed canvas surface with soft charcoal, then added fluid black acrylic to further solidify my design.

Then I sat back in my comfy yellow stuffed swivel chair given to me by a painter friend, the wonderful watercolor painter, Judy S. McLean. These few black lines on the canvas quickly voiced their opinion that I was NOT to proceed any further. Think again they said. Try another sketch today. Don’t you just hate pushy sketchbook voices? So, I  went back to my sketchbook, flipped a page or two and out jumped a much better idea to pursue.

I then flipped the black line painted painting upside down and grabbed my white fluid acrylic paint bottle and drew the white lines right on top. This was a better start and I felt able to continue with the process toward the finish line. You can still see some of the white lines in final piece below.

15459 Coming Through acryl canv 18x18 sm

Coming Through, 18×18, acrylic on canvas

Lesson learned through this particular painting process was to be decisive when I feel something is amiss. Being honest with yourself as an artist and letting your intuition guide your moves will improve your chances of finishing strong.

How do you solve your painting design issues? I’d love to hear from you.

Blame It On New England

clarkridgefarmdotorg.wordpress.com/

A family farm in Goffstown NH

Art Licensing Info

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

Yuba Gold

Art and creativity with a touch of nature

Clear Blue Design

Thinking about design every day

Comments on: Welcome

Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

Art Matters

An Online Art Magazine from San Francisco

ILLUSTRATION AGE

THE ULTIMATE RESOURCE FOR ILLUSTRATORS

Painters on Paintings

A conversation between contemporary artists and their influences across time.

%d bloggers like this: