Who would have thought a stroll after a nice dinner at the Lobster Pot would have captivated my artistic eye for so long. A quick snapshot taken one hot afternoon in Provincetown, MA has been the catalyst of many of my recent artworks. As with many other photos I have taken, as soon as one painting is completed I have another idea to improve/change/renovate the next one. On this one, with the advice of Mary Harding curator of the George Marshall Store Gallery in York, Maine, to “paint bigger” here is the results. Raking Light Across at 36×36 gave me the space and opportunity to really dig in and work on the layering of color and texture. It was a blast. More to come.
This is the final day of the 30 paintings 30 days challenge from artist/blogger Leslie Saeta. Although I didn’t get all thirty paintings posted, the challenge has jump started my year and I am happy for that little push. I have posted more on my blog than usual finding that I could actually write faster and show a work in progress or final piece. I tend to wait til it is totally finished before letting it out in the world. But there is something to be said for letting people see the “struggle” of a piece too. This piece was conceived while sitting in an airport waiting for a flight back to cold NH. I thought how lovely the warm air had been in Florida visiting my gallery Galerie du Soleil in Naples. So this snowbird idea came to me–how could I show both FL and NH landscapes in one painting. And here is my first effort at doing just that. Let me now your thoughts! 24×48, acrylic on canvas, One Sun, Two Loves.
Preliminary sketch on canvas of segments/chapters
Determining color scheme along the way, not pre-thought.
Final look at the painting process 36×36, acrylic on canvas.
In this painting there are 8 segments, each could be a small painting on its own but I have opted to build all these into one large 36×36 to see if I could unify all pieces together on one panel. I have done small paintings of the segments in the past using other color schemes and slightly different designs. But putting them all together in a block-like fashion and hoping to retain a sense of order–not in a chronological or book style– but in a way that allows the viewer to make up their own idea of what this piece is saying to them. See more of my art at www.anntrainordomingue.com or sign up to stay informed on my FB Art Page at www.Facebook/anntrainordomingueart Ann Trainor Domingue, messy, uncommon, friendly contemporary art inspired by but not beholden to the New England landscape.