We artists have so many options open to us as we design a new piece of art. This one is less real and more abstract or is it more real and less abstract. Let me explain. I love working with the landscape–New England, Caribbean and beyond– and that does not always mean working directly in front of it–plein air–as it is commonly known. I enjoy the process of interpreting the things that have inspired me and reworking into artworks that speak the language of the landscape but also let my personal interpretations in as well. I appreciate the time and efforts–and suffering–many of my painter friends put in for the sake of their art. For me I do plein air for other reasons, not to produce a final piece of art but to learn from the landscape of that day–to practice mixing colors, to see subtle tones, to work despite less than ideal conditions, to sketch quickly my impressions, to get out of the studio and get some fresh air–and perspective. My personal art process uses both the plein air experience and the studio experience to create art unique to me. If anything, I admit I am a fairweather plein air painter.
Posts tagged ‘oranges’
This is the final day of the 30 paintings 30 days challenge from artist/blogger Leslie Saeta. Although I didn’t get all thirty paintings posted, the challenge has jump started my year and I am happy for that little push. I have posted more on my blog than usual finding that I could actually write faster and show a work in progress or final piece. I tend to wait til it is totally finished before letting it out in the world. But there is something to be said for letting people see the “struggle” of a piece too. This piece was conceived while sitting in an airport waiting for a flight back to cold NH. I thought how lovely the warm air had been in Florida visiting my gallery Galerie du Soleil in Naples. So this snowbird idea came to me–how could I show both FL and NH landscapes in one painting. And here is my first effort at doing just that. Let me now your thoughts! 24×48, acrylic on canvas, One Sun, Two Loves.
This small format painting is a warmup for a new floral series I am working on for 2015. Bold black lines in acrylic paint define the flower shapes on paper and color was added by layering Neocolor I by Caran D’Arche. 30 paintings in 30 days project presented by Leslie Saeta’s blog, http://www.lesliesaeta.blogspot.com/.