I am very happy to invite you to join me at the opening night of ‘Shining Through’ by Ann Trainor Domingue— my new series of work inspired by my longstanding curiosity and attraction of waterfront life and how I connect visually and spiritually with this beautiful space at the edge of the land and sea.
The opening reception will be held at the beautiful George Marshall Store Gallery located at 10 Lindsay Road, York, Maine on Saturday, July 14th, 5-7, exhibition runs through August 19th.
The gallery building is part of Old York Historical Society that works to preserve and promote the rich history of York. The Gallery is located on the York River with a working dock and shack right behind the gallery on the wharf– a beautiful location in any season.
I hope you will join me as I exhibit many of my newest works all tied to my fascination with waterfront spirit. Please share my invite with those you know who love the all things coastal. Thank you and hope you’ll stop by to say hello–it means a lot to me to have your support.
My show titled ‘Homecoming’ –the interplay of coastal communities— will be on display through June. Opening reception to meet the artist will be held on Friday June 8th, 5-7. If you are in the Camden Maine area please stop in to Camden Falls Gallery, 5 Public Landing, to see many of my new works all inspired by the seacoast and relationships of people, architecture and landscape of New England. Sizes range from 6×6 to 40×60, acrylics on canvas. Ask for Howard Gallagher, gallery owner, for assistance with viewing my work. Thank you for following my blog and I ask you to share with friends.
Woven Into Life, mixed media acrylic, 12×12
Its amazing how many things in the news, on television, on websites, on social media feeds, in email, on tablets, and on our phones seem so much more important than things that really matter. Like face to face conversations, talking out loud not in the silence of a phone text, listening to the tone of voice in a conversation can be more meaningful than a long winded conversation. And when looking at artwork a quiet thought about what the artist was intending can be an interesting way to spend a moment or two.
In our digital impersonal age I try to remember to be sure to communicate with family, friends, and strangers in the old-fashioned way. With a smile and a hello, it surprises me how many people don’t expect you to say hello today. But they reply in kind and usually continue the conversation even if it is small talk. Small talk can lead to bigger and better things. And interacting with the thought process of an artist can yield something that matters as well.
Lesson learned: I asked a collector what drew him to this piece of art and he responded with something I didn’t intend in this piece. I intended a couple inside their ‘home’ awaiting the birth of their child and how wonderful and amazing it is. He recognized that too but also more importantly was the dark-skinned ethnicity of the male figure exemplifying a broader world view was what touched him. I just never know. I’m sure the impending birth of another grandchild this week has prompted this post.
From snapshot, to sketch, to final painting–here’s a sample of how I create my paintings. Not all happen this way but this is a process I find captures an inspiration, allows me to mull over the possibilities, and then sketch options and try out with various media. I generally do not know the color palette I will use when I begin to paint. I will have one key idea about the focal area that I want to retain and then I let the process of painting take over. I’ll make many decisions on the fly. some good. Some not so good. Exploring without knowing my end goal is my idea of great fun while creating each artwork. Visit my website to see more www.anntrainordomingue.com or email me at firstname.lastname@example.org to receive my newsletter.
Working on a motif I had begun while at my artist residency in Provincetown, MA this past summer. The working waterfront area there is rich with image possibilities and this is a bit of an abstracted view of the piers. It may well become a larger painting with emphasis on the verticals of the piers in contrast to the boats. “Waiting for Tomorrow” was done on paper with ArtGraf carbon and colored pencils. Completed as part of the 30 paintings in 30 days project of the blog http://www.lesliesaeta.blogspot.com/