Are you sensing something similar to what I’ve presented in this artwork? A very large gap between differences and similarities? A space between two people that seems permanent? An inability to reach across time and space to reconnect with someone who was special to us? A sense that the space is getting wider? An idea that life as we knew it is not likely to return in a familiar way? During this pandemic I believe we’ve all been forced to adjust and accept certain changes. And I believe we’ve also tried to retain and keep close to our hearts people, things, and experiences that we are not willing to let go of–ever. They hold too much meaning and are part of our souls. To let go would mean failure and giving up on something that matters most.
This painting is my thought of what it may look like to build a simple bridge. Even though it may seem too delicate or hard to see, its a start. A way to reconnect with another soul who’d like to be touched by an honest peaceful gesture of friendship. Especially when differences are known to both individuals. We should reach out to one another because we believe in individuals being just that. Individually absorbing life and times, choosing a point of view and forming opinions. I hope despite core differences, we can each find our core similarities. And use these to make our way back to civility and respect of all people.
Lesson learned: If a friendship is formed on foundation of respect, holding different viewpoints should not matter.
In this new painting, ‘Village Under the Sun’, the imagery is filled with all kinds of transitions— from line to gradient, warm to cool colors, curves to angles, light to dark values, textured to smooth surface, not to mention the imagined overlapping and off-kilter architecture. And the changing unreal scale of buildings and people. Yet if handled well, all these juxtapostions can live peacefully together. Creating a kind of balance that despite its quirkiness and unusual views, still does create a recognizable world where we live well in the peacefulness of a place we call home. Contact Kennedy Gallery in Portsmouth NH for more information. Visit Ann Trainor Domingue website for more info.
Lesson learned: Living together in peace despite differences matters most. Let’s hope the upcoming election results in a peaceful transition or continuation for America’s sake.
This is my first calendar and I am excited to let you see it just before it is ready for sale! I am distributing it through one venue only– Kennedy Gallery and Custom Framing located at 41 Market Street in Portsmouth, NH. Please call to reserve yours at 603-436-7007 or send email to email@example.com
The calendar is quite different from standard art calendars in that I have included a story and inspiration behind each artwork to let you in on the behind the scenes work and thought process of each of 12 frameable images. Several images are also available as blank notecards and prints also only available at Kennedy Gallery. Just ask, they will be happy to help. See sample page below.
Thank you for your interest in the calendar. the image above shows the 12 different artworks included in the 2021 calender. This will make a great gift for someone who loves art and the thinking behind an art work.
Lesson learned: Take a risk and the rest will work itself out in due time.
While the USA and world are getting their act together on this Covid19 virus and its effect on our health and economy, I have been focusing on being ready when our previously strong economy is again unleashed to get Americans doing what they do best. Work. And at the same time solve the mystery of this virus. We need to work and make the world go round again. Its time to be with our family and friends, safely and smartly. Peace and good health to all. We are smart enough to do this well.
Fishermen are famous for fish stories. But not this one. Bill Sisson, Editor-in-Chief of AnglersJournalat aimmedia.com was true to his word. A stroll in downtown Portsmouth, NH resulted in this collaboration of poetry and art. Poetry by Elizabeth Bishophttps://www.poetryfoundation.org/podcasts/75635/at-the-fishhouses (available as a podcast in this link), was in the process of acquiring approvals to be published in an issue of Anglers Journal. My artwork happened to be on display at Kennedy Gallery in Portsmouth when Bill walked by already thinking about imagery to support Elizabeth’s poem, ‘At the Fishhouses’. Serendipity happens. He walked in to the gallery, viewed more of my work and asked for contact info. I was thrilled to receive the phone call and quickly said yes to this collaboration with such a prestigious author. I had not known her or her work but loved it when I read the verse. Almost as though it was meant to be.
My series of artworks featuring fishhouses began with my first painting workshop trip to Monhegan Island with painter Stan Moeller in 2003. The two fishhouses on the beach began a years-long semi-obsession with what they represented for me–two stalwart structures standing strong year-round, constantly being shored-up to withstand whatever came their way. As two people might also do.
Thank you Bill and Anglers Journal for patiently going through the years long process of receiving approvals to publish Elizabeth’s work. And especially for giving me, Ann Trainor Domingue, this unique opportunity to be paired with a giant in the poetry world.
Lesson learned: Do the work, show the work. You just never know.
Thanks for stopping by. Hope you'll learn a bit about my art process and then visit my website or gallery links to see if you find a painting that speaks to you. I appreciate your support and for sharing my art.