So this little gem was drawn by my 6 year old granddaughter and pinned to my studio wall. These eyes have been staring at me for a few months as if to say ‘hey, why not use me in your paintings?’ or ‘you use so many fish how about giving us birds a chance?’ So I’ve been listening and adding a bit more wild life into my work–humans and birds and fish. Covering most bases with an occasional dog making a cameo. I’m learning to always consider new things in my work–careful not to throw myself offtrack–but to think of how an innocent little drawing can breath new life into my work. Thank you Gwendolyn. Love, Grannie.
Here are a few more birds that have made in onto my canvases lately.
Lesson learned: When developing new work, let something new in.
Exhibit on til April 30th. Hope you’ll stop in to see over 20 new paintings.
Woven Into Life, mixed media acrylic, 12×12
Its amazing how many things in the news, on television, on websites, on social media feeds, in email, on tablets, and on our phones seem so much more important than things that really matter. Like face to face conversations, talking out loud not in the silence of a phone text, listening to the tone of voice in a conversation can be more meaningful than a long winded conversation. And when looking at artwork a quiet thought about what the artist was intending can be an interesting way to spend a moment or two.
In our digital impersonal age I try to remember to be sure to communicate with family, friends, and strangers in the old-fashioned way. With a smile and a hello, it surprises me how many people don’t expect you to say hello today. But they reply in kind and usually continue the conversation even if it is small talk. Small talk can lead to bigger and better things. And interacting with the thought process of an artist can yield something that matters as well.
Lesson learned: I asked a collector what drew him to this piece of art and he responded with something I didn’t intend in this piece. I intended a couple inside their ‘home’ awaiting the birth of their child and how wonderful and amazing it is. He recognized that too but also more importantly was the dark-skinned ethnicity of the male figure exemplifying a broader world view was what touched him. I just never know. I’m sure the impending birth of another grandchild this week has prompted this post.
I’m happy to help friend and artist (and musician) in promoting her new ‘Field Artista’ compact portable watercolor sketching kit. I have been working with it and it is a fun little set—includes a small sponge, two short shaft soft hair paint brushes, and 12 colors. Two fold-out palettes are very handy and an additional small metal screw cap water holder can be clipped onto one of the palettes keeping a small amount of water right where you need it. Good range of 12 watercolors that rewet quickly provide broad mixing possibilities.
The biggest advantage of this set is its small size—able to be used in inconspicuous settings such as coffee shops, bars or restaurants—or from the seat of your car. Easily sketch with your favorite pen or pencil and then add bold or subtle color—or vice versa. Beginner or experienced artists will find this little set is just the right size to get you started on a fun pastime or provide a new approach for your serious work. Very reasonably priced as well and sold on Amazon at $29.99. Hope you’ll check it out! And please share with your artist friends, thank you.
So go sketch from life, or work out designs for larger artworks, or…
(photo shows a small plastic cup-not included in kit)
(Blue fountain pen is found at The Goulet Pen Company)
Sometimes one painting moves right into the next. First ‘Village’ sold immediately, so I did the above painting with a different coloration and details. Again, much positive feedback. So, I’ll keep going down this path for a while.
(It Takes a Village, Too. 30×30, acrylic on canvas.) Available now at Kennedy Gallery, Portsmouth.
Every Which Way, 24×36, acrylic
Pattern in Blues, 24×36, acrylic
Time of Day, 24×24, acrylic.
Its taken me some time to really embrace the idea of working in a series. I understand the concept and can readily see it in other artists’ work, but have consistently had difficulties adopting this idea in developing my own work, until now. The examples above show my recent attempts at exploring elements of my work and producing new works that embody aspects related to one another. Sort of like a family of children who look very similar, but are unique in their own way. Here’s where it has been tough for me. My background as an illustrator has given me broad skills to create just about anything. But that is not necessarily helpful in my career as a painter. Here’s what I’ve learned.
My extended family reaches far into the world as we have welcomed the changes life brings, and all is well. Marriages, divorces, friends, godchildren, distant relatives–not unlike many of you I’m sure. As relationships relate to my artwork though it sometimes appears as though I’ve adopted children from another planet, never mind my own world. So I have found it helpful to model my new found attention to working in a series after my family. Now it makes a bit more sense as I develop new art—as I choose which aspects to retain, and which to remember as an important lesson.
Finding the core element of the New England landscape (my lifelong home area) has been key to creating an armature/home where I can then change details while keeping a foundation in place. I’ll proceed into the New Year 2017 with a blueprint–one where I will still be able to enjoy serendipitous happenings as I evaluate new ideas to keep my family of work warm and cozy.
Hope you and your family have a wonderful Christmas and Happy New Year. And as always, thank you for your continued support.
(If interested in any of these artworks, consult my website http://www.anntrainordomingue.com or contact me directly.)
I’d love to meet you and have you browse my New England-inspired paintings– whether you are an art collector, a ‘just looking’ new fan, considering a first purchase of art that you love, or are simply curious about the lifestyle of an artist. Stop by. Go to Open Doors NH for directions, select Merrimack Region, fine art listings.
Original art is treasured by families through the generations and I’d love to talk with you about creating a commissioned/custom piece that will become just that.
Discover more at Ann Trainor Domingue website. But it will be way more fun to stop by my Open Studio!
I am so proud to have been selected by DNE Magazine published by the Boston Globe to be profiled in this issue. ‘Painting Joy’ is an accurate take on where I currently am in my art career. Ever evolving and always surprising. This kind of exposure for my work in invaluable and I appreciate the opportunity immensely. Thanks to Lori Ferguson for writing such an engaging article and to Russ Mezikovsky for the beautiful photos. And for bringing his entertaining young kids which helped me relax during the photoshoot.
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My hometown means a lot to me and I volunteer time and effort toward worthy projects. This poster is one of those. Our local Goffstown Main Street Program needed an event marketing poster–fast! My ‘previous’ career as a graphic designer/illustrator/art director kicked into gear. Yes, it took me away from painting and prepping for my Open Studio scheduled for Nov. 5&6, but it was a priority for me to see this local org succeed by helping promote the goodness and fun of our beautiful little town.
P.S. This may answer why I hear so many comments like: ‘I like the whimsy of your art’ or ‘your art makes me smile’. I just can’t hide it even when I am doing my ‘professional’ painting work.