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Posts from the ‘New hampshire’ Category

Real Work of Art Outdoors

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The outdoor art show season is here in New England! Beautiful settings in towns, along the sea and in beautiful parks. But do the attendees appreciate the amount of work it really takes as they wander through the tents? I’ll speak to participants here but attendees will get an idea of the work involved in participating in an outdoor show.

Firstly, decide if these outdoor venues are for you. As an artist, is this how you’d like to spend your time–working in your home studio, or driving to a location maybe hours away, setting up a display in the very early morning, talking and repeating yourself to untold numbers of visitors, or patiently waiting for the occasional visitor to stop by, wondering if the weather will cooperate–sun, rain, wind or other, and of course preparing enough work for your display. Entry fees range from $30.00-over $300.00 per show. Professional tent setups range from 1200. -2000. depending on configuration.

Secondly, decide if your family situation is suited to your traveling and being away every weekend of the summer or at least many weekends. This will obviously impact your relationships with spouse and children. Its best if they are on board with this decision as it will mean a lot of time away and may be stressful on the family.

Thirdly, is your work appealing enough for visitors to purchase on an ‘impulse’ buy? Or do they need more than one interaction with the work and decide not to buy at the show. You can consider doing a series specifically for shows that may be a bit different than your other series or studio work.

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Fourth, are you ready to do the work to learn to sell your work?–since it doesn’t sell itself. Learning how to approach visitors during a show is critical. Visitors like to interact with the artists as you build your fan base. A simple–‘hello, what kind of art are you usually interested in’, or ‘what kind of subject matter do you find appealing’? Yes, you will keep the entire price you receive for a painting rather than splitting a gallery fee which can be as high as 50/50. This is a great part of doing direct sales to your customers. Some shows can be very successful financially for artists who have worked at finding just the right ‘work’ that sells.

Lastly, provide visitors with a way to contact you in the future. Give them a chance to think about how much they loved your work. Provide a flier, web address, social media contacts, note card with art sample or other memorable trinket. A one or two-day show can provide a lot of exposure to new audiences for your work. With so many artists it can be hard to stand out in a crowd of good artists.

Lesson learned: Try the show circuit and decide if all aspects of it make you happy. IF not, find another sales option such as galleries for your work.

You can find me and 40 other artists at the Uncommon Art on the Common, Saturday, August 6th 2016 in Goffstown, New Hampshire. Facebook #UncommonArtontheCommon

Poster UAOC 2016 final 11x17

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Last week for ‘Along the Waterfront’

 

16493 Meeting Up acryl canv 18x18 sm

Meeting Up, 18×18, acrylic on canvas.

Last week to see ‘Along the Waterfront’ exhibition at the NH Art Association Levy Gallery at 138 State Street in Portsmouth, NH. See www.nhartassociation.org  If interested in a particular artwork contact NHAA or contact me through my website at www.anntrainordomingue.com where you will find complete contact information.

Today’s the Day

16513 Sketched Around 2 acryl ink and wc on paper 8x10 coso.jpg

Opening reception tonight May 19th,  5:30-7:30 at Copley Society of Art, Newbury Street, Boston, MA. Meet and visit with six recent Copley Fellows who completed month-long residencies in either Cape Ann or Provincetown, MA. Stop in or visit the gallery, show is up through June. copleysociety.org

This piece in the show titled, “Sketched Around” 8×10 ink and watercolor, has a little history but nothing a redraw can’t fix. This is about a view from my studio that disappears in summer with the solidness of fully leafed out trees, and then appears again as the leaves fall in autumn. The tree structures stay while the colors change. This ink and stick sketch/drawing tries to give my impression the this movement of the seasons. If you look closely you’ll see a building/structure through the branches. It brings a bit of geometric contrast to the scratchy branching lines.

‘Along the Waterfront’ opens Friday

Along the Waterfront one page promo

Together on the Road

16471 Life Tapestry mixed media acryl fabr on canv 54x54 sm

Life Tapestry, 52×52, acrylic and fabric on canvas

Some artworks take on a life of their own where they are directing you instead of you directing them. This one is a perfect example. I thought I would do a large piece of a couple walking together toward the woods with light coming through tree branches. Probably using fairly realistic colors and imagery. As I was working my mind went toward a larger idea of ‘lifetime’ and how we all experience different things that add up to our unique experience in life.

I believe because I had been experimenting with fabrics for other works the idea of using the colored swatches at the left of this painting to suggest the colorful experiences of life crept into my psyche as I worked on this piece. It became a focal area and a complement to the verticality of the trees. I repeated colors into the tree branches to echo the swatches. The two figures are purposely secondary as their proportion to the bigness of their life is surprising. I hope we all get to feel that our lives have been well lived and well loved.

Lesson learned during this process, I need to talk with my work to find out how things are going. It’s probably not going where I thought at the beginning. And its ok.

Bloomin’ Tunes Together

Quick note about starting a new painting series while retaining some of your current art work elements.

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One Red Boat, Endless Painting Options

As artists we are always on the look out for things that capture our attention. We may not know what we are going to do with that little tidbit at the moment but we file it away for future use. And yes, we forget about them sometimes. But as an individual artist we tend to notice similar things, over and over. And therein lies the key.

Very coarsely-painted beginning

Very coarsely-painted beginning

Not sure who said it but “notice what you notice” is such a great statement. Especially if you are an artist looking for direction. Randomness is not an asset when it comes to defining who you are as an artist. Maybe at a later more experienced point it will be, but not at the outset. Looking intensely at a series of photos you’ve taken, making notes of what interests you in the landscape or people-scapes around you. Look for the pattern created when you go out for a walk–are you looking at minute details of flowers, or rolling hillsides, or how the light shines through the woods. The sooner you find your personal pattern, the more directed you can be in your artistic development.

Using the rough sketch to develop painting design further

Using the rough sketch to develop painting design further

For me, the coastal waterfront and all its details have been at the very top of my list. Early on impressive sunrises and sunsets were at the very top. I loved them, but did not necessarily want to paint about them. So many people were already doing that. I wanted to paint about things differently and add something that gave the viewer more information about the things I find important.

A red-colored work boat in Provincetown harbor provided the needed intensity to dive into this subject in various ways and create some final paintings. Even after many years I am still intrigued by this working pier in Provincetown. The activity, the aged boats that still work every day, the people who go out on the sea day after day–I admire them for their bravery. I once thought I would like that life but have since come to my senses. Seasickness and I are companions unfortunately but I still love being on the water when I can. So even a landlubber can have great appreciation for things connected to the sea. I have plans to explore this motif and weave in some themes of connectedness, friendship and awe. To be continued…

Closeup look at detail of a 24x24 painting depicting the simple drama of red against blues.

Closeup look at detail of a 24×24 painting depicting the simple drama of red against blues.

Inspired by the Wetland

Wetland Dunbarton Compare 3

How many options are there with a photo reference such as this? So many I still haven’t exhausted the possibilities and I have done at least 12 paintings of all sizes to try to capture the essence of this scene. So much to work with. So much to leave out. The trick is which is which. And that is the most fun and challenging. Some landscape images thrill me, others do not. I use my sketchbook to work on figuring this out. Lots and lots of pages. Each one getting closer to what my sensibilities say is right. Yours, and any artist’s will be different. Isn’t that great? Visit my website to see more www.anntrainordomingue.com or email me at domingue@comcast.net to receive my newsletter.

Textured Cold Reds

Another day another painting for the 30/30 painting challenge presented by Leslie Saeta, http://lesliesaeta.blogspot.com/
Playing with tones of cold, snowy New Hampshire–red branches of shrubs, cold shadows, light snow. Instead of rendering an exact copy of this scene, I am working to abstract essential details to create this 5×7 painting, acrylic on paper with red and white ink. 20150112_165444_resized

Snowstorming

Staying focused on getting back to experimenting with new takes on recent works. Another entry for the 30/30 challenge project on the http://lesliesaeta.blogspot.com/ art blog. Obviously this one is weather-inspired although a self-portrait of a shivering me in the studio would be a funnier-looking piece.Snowstorming 5x7 acry on paper sm

Jo LB MAC Blog

2017 -> Visual Research Journal with spelling mistakes and links to image sources

clarkridgefarmdotorg.wordpress.com/

A family farm in Goffstown NH

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Messy, uncommon, friendly contemporary landscape paintings inspired by the New England landscape

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