Gem of the Moon 6×6 acrylic 2011
It used to be a real problem for me to paint a series of related images. For some reason I thought I had already done a painting in a subject and felt I needed to move on to something else.–to flowers to semi abstract to drawing to painting to landscape to seascape to farmland to animals to children to still life, and on and on. Until I finally accepted the advice of a non-artist friend to ‘just do another one similar but different’.
Seemed so simple.
Heading In and Out acrylic 36×36 2014
I was of the mind that I should do something very different than my most recent work. The general public doesn’t know you did that earlier version and you will not be making an exact copy of it again. As a creative person I should just be able to shift aspects from size, to color combination, to content and create a new art piece based on an earlier one’. At last the definition of working in a series made sense to me.
Right at Home acrylic 18×18 2017
I now thread my way to the next piece–moving just a little forward, sometimes sideways from my current work to make progress toward something different yet connected by threads of color, forms, subject, painting style or line work. It is amazing how the words of Robert Henri, an American artist and member of the Ashcan School in NYC, born in 1865– “Don’t worry about your originality. You couldn’t get rid of it even if you wanted to. It will stick with you and show up for better or worse in spite of all you or anyone else can do.”
Just Ask acrylic 10×10 2018
After having done many hundreds of paintings in my lifetime I now can see the thread of ideas and style begun many years ago. I continue patching new pieces of my story to my already established quilt of my painting life.
Lesson learned: Pickup where you left off and take a small step.
If you are in Portsmouth NH over April, please stop by my solo show ‘Undercurrents’ new works for 2019 at Kennedy Gallery on Market Street, Portsmouth. http://www.kennedygalleryandframing.com Thank you! –Ann
You are invited to view my newest artworks in a beautiful gallery in Portland, Maine! Portland Art Gallery on Middle Street in Portland Maine will host a two-person show of my work, opening reception on Thursday November 1, 2018, 5-7. My part of the show will feature at least 12 artworks exploring the idea of ‘Together In This’. That we are each finding our way in a dynamic world where finding our truth or center can be difficult. Finding a special person to share it with can be an honest place to start. These works provide imagery of figures in a coastal environment positioned in ways that provoke a sense of connection or disconnect–or better yet, a chance that something good will happen. Hope you will consider joining me at the opening night. Thank you.
Preparing for an art exhibition can be a stressful time. So many details to complete, artworks to create, and promotional efforts to finalize. Both on the gallery side and my side as the artist. We need to work together in order to have a successful show.
In July 2018 I prepped work for my first solo show at the George Marshall Store Gallery in York, Maine. The curator and gallery director Mary Harding had been following my career along for over 10 years. She encouraged my early efforts as I explored exactly what kind of work I could/would/should be doing. In the end the best advice was simply ‘paint what you love’. Defining what that is was more difficult than I thought. So that’s what I’ve been doing for the last few years since leaving full time work as an advertising agency art/creative director. I’ve explored several avenues of subject matter and paint styles searching for an approach that suited my working style, my personal philosophy, my studio space, my family obligations and my goals for my art. Not an easy task to meld this all together into a cohesive whole.
I worked hard over last winter creating artworks that reflected my sense of optimism about people and relationships that matter. A body of work that challenged me to find design that was both simple yet deep in its ability to carry through my concept of togetherness. One more late-winter studio visit by Mary to curate the show was an important aspect to pulling together the right group of work for the show. I achieved a great result as 18 of 22 artworks in my solo show found new homes with art collectors via the George Marshall Store Gallery! I truly appreciate the efforts by Mary Harding and her group of wonderful gallery assistants who put on a wonderful event–complete with music and food. Thank you for making my work look so good. Grateful to you all.
Lesson learned: ‘Paint what you love, honestly and from the heart. Your own heart.’
Two artist friends and I are showing our work together this September!
‘Color Love’– 3 artists 3 visions is a 3-person show of our colorful artworks– intensely-colored abstract watercolor collages by Ethel Hills, bold impressive wildlife-inspired paintings by Rosemary Conroy, and my Ann Trainor Domingue New England life inspired paintings and watercolors. It promises to be a wonderful exhibit of three very different takes on ‘Color Love’ –where we each internalize how color influences our work–and then create an inspiring variety of images for you to see and feel, and then possibly find an artwork so special you must take it home!
Please join us at the opening reception on Friday, September 7th, 5-7 at the Gallery at WREN in Bethlehem, New Hampshire.
Muse of the Sea, 11×15, watercolor on paper
Every once in a while I work on an idea for no particular reason, with no particular outcome in mind. I had done some sketches and small watercolors using a mermaid as the main feature. I continued working to find a look for the mermaid ‘muse’ that for me was more real–but not realistic. Imperfections and all.
The way watercolor works provides beautiful accidental back runs, blooms and bleeds, blends and stains. Its one media that has a mind of its own yet provides unintentional options to an artist like myself who loves the unplanned happenings of color and water. For instance the soft greenish color of the mermaid’s arms appeared as I was scraping the lines of the drawing through wet color. I liked the way they provided a shadow-like sense in the foreground and brought a dusky feel to the piece. I’ll be exploring this further…
Lesson learned: Let water be watery.
NOTE: Please be sure to follow me on Facebook at Ann Trainor Domingue Art Page. WordPress will no longer links my blog posts to my FB timeline. Thank you.
I am very happy to invite you to join me at the opening night of ‘Shining Through’ by Ann Trainor Domingue— my new series of work inspired by my longstanding curiosity and attraction of waterfront life and how I connect visually and spiritually with this beautiful space at the edge of the land and sea.
The opening reception will be held at the beautiful George Marshall Store Gallery located at 10 Lindsay Road, York, Maine on Saturday, July 14th, 5-7, exhibition runs through August 19th.
The gallery building is part of Old York Historical Society that works to preserve and promote the rich history of York. The Gallery is located on the York River with a working dock and shack right behind the gallery on the wharf– a beautiful location in any season.
I hope you will join me as I exhibit many of my newest works all tied to my fascination with waterfront spirit. Please share my invite with those you know who love the all things coastal. Thank you and hope you’ll stop by to say hello–it means a lot to me to have your support.
My show titled ‘Homecoming’ –the interplay of coastal communities— will be on display through June. Opening reception to meet the artist will be held on Friday June 8th, 5-7. If you are in the Camden Maine area please stop in to Camden Falls Gallery, 5 Public Landing, to see many of my new works all inspired by the seacoast and relationships of people, architecture and landscape of New England. Sizes range from 6×6 to 40×60, acrylics on canvas. Ask for Howard Gallagher, gallery owner, for assistance with viewing my work. Thank you for following my blog and I ask you to share with friends.
Bridge work has been ongoing for many years as needed repairs and replacements are done over the fast moving waters that join New Hampshire and Maine. We all depend on these critical crossings to get where we want to go. Some inconveniences and longer routes are simply part of living in a seacoast community as residents and tourists depend on the success of these impressive construction projects completed via cooperative arrangements between our two states.
As an artist I am also impressed by the design of the bridges and how they visually create connections from wide expanses of sky and water toward the grounded village communities at the bases. In this painting I have used the arched curve to tower over the village below as work and worship and play continues on daily in the cool shadows. Here’s hoping for a successful bridge-opening this summer as the new Sarah Long Bridge welcomes travelers again.
Lesson learned: Patience in building a strong bridge is paramount.
It’s definitely going to be a busy year of art-making and exhibiting. Hope you’ll put my shows on your busy schedule. Visit my website frequently to confirm current information. www.anntrainordomingue.com or follow me on Facebook at AnnTrainorDomingueArt page.
thumbnails photos from my sketchbooks
1″ x 1″ thumbnail
14×14 final watercolor
How do I begin a new year’s worth of paintings? Previously I have kept sketchbooks of thumbnail images –basically small inch by inch sized sketches or thoughts of an idea. I don’t work out details in this it is just a nugget of an idea on design, subject, or a color note. Because I always have a sketchbook going–too many to count in my studio–it has been a bit difficult to keep track of images that I’ve wanted to explore further.
My answer? Thumbnail pages. I went through my recent year of so sketchbooks and took a photo of each little drawing–over 200 plus–then using Adobe Bridge software brought them all into the program to create a 12 page pdf. I then put a symbol in color near each little picture–c=couples, f=fisherman, etc. Then cut them all apart and regrouped them according to my symbol system. Now I can review similar ideas on one page like shown above. The little black and white is a what I use to refer to to design a new painting–see lower right.
A bit of time to do this–about 6 hours of searching through sketchbooks, photoing, then computer work. But now I have at a glance what I need to gear up for the mountain of work ahead of me this year. Now to get down to business…
Lesson learned: Be prepared.
Working with hard molding paste, drawing into it, letting it dry overnight, then beginning a teal-colored underpainting. 8×8’s on cradled panels.
I find it is important to have time to play with materials and motifs that I have been working with for a while. Despite having done over a hundred paintings of all sizes, I continue to find new ways to use the images that I find so appealing. I have been able to do this because I give myself ‘play time’. Meaning studio hours devoted to working with materials in a different way–either applying it in a new way, scraping or drawing into it in a new way, or mixing materials to see if I can slightly shift the outcome. I’m not looking for wholesale changes just a slight step to the side or forward that feels connected in some way to previous steps. This way I won’t lose my way. Sort of like artistic breadcrumbs.
(Paintings shown are on my website, ‘Through and Through’ and ‘Sharing’, 8×8.
Lesson learned: Baby steps count big.